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Edited by S. G. Fernández-Corugedo Assistant Editors Emma Lezcano & Francisco Martín Sederi — Universidade da Coruña 1996 ISSN 1135-7789

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Contents:
SECTION I: TOPICS IN RENAISSANCE ENGLISH
Fanego, Teresa. English in Transition 1500-1700: On Variation in Second Person Singular Pronoun Usage	5-16
Calvo López, Clara. The Tragicall Historie of Hamlet, Prince of Denmarke and the Pronouns of Address: Q1 (1603) versus Q2 (1604/5)	17-22
Martín Miguel, Francisco & González, Santiago . Addressing Formulae and Politeness in The Shepheards Calender	23-38
Gómez Soliño, José S. Continental English and the Standardization of the English Language in the Early Sixteenth Century: 1525-1540	39-46
Expósito, María Cruz. Internal Relations in Double-headed Noun Phrases	47-56
Lezcano, Emma. The choice of relativizers in Early Modern English: evidence from the Helsinki Corpus	57-66
Núñez Pertejo, Paloma. The House is Building: Active Progressive with Passive Meaning	67-72
Verdaguer, Isabel & Poch, Anna. The interaction of polysemy and complementation: A case study	73-79
Stone, John. Seventeenth-Century Jurisprudence and Eighteenth-Century Lexicography: Sources for Johnson's Notion of Authority:	79-92
O'Neill, Maria. Forgotten Figure on the Bridge	93-98
Lopez, Ambrosio. The Reinassance Environement of the first Spanish Grammar Published in Sixteenth Century England	99-106
Crespo, Begoña. English and French as L1 and L2 in Renaissance England : A Consequence of Medieval Nationalism	107-114
Doval, Susana. The English spelling reform in the light of the works of Richard Mulcaster and John Hart	115-126
SECTION II: TOPICS IN LITERATURE & CRITICISM
Shaw, Patricia. Mad Moll and Merry Meg: the Roaring Girls as Popular Heroine in Elizabethan and Jacobean Writings	129-140
De Paiva Correia, Maria Hélena. Lyric and lyric sequences	141-146
Ribes, Purificación. John Donne: Holy Sonnet XIV or the Plenitude of Metaphor	147-152
Lojo, Laura. John Donne. The New Turn of Classical Tradition	153-158
Sánchez Mosquera, Ana María. Blurred Contours: An Attempt to Deconstruct the Female Character in Books I and III of Edmund Spenser's The Faerie Queene	159-164
Flotats, Rosa. Knowledge and Science in Paradise Lost	165-172
Tazón, Juan. Death in Northern Africa: the Battle of Alcazar & its Theatrical Representation	173-178
Carvalho, Rui. ‘A more Familiar Straine': Puppetry and Burlesque, or, Translation as Debasement in Ben Jonson's Bartholomew Fair	179-186
SECTION III: SHAKESPEARE
Cooper, Helen. Hamlet and the Invention of Tragedy	189-200
Tronch, Jesús. Dramaturgy of the Acting Version of the First Quarto of Hamlet	201-216
Gómez Lara, Manuel. Emblems of  Darkness: Othello 1604 & the Masque of Blackness 1605	217-224
Prieto Pablos, Juan Antonio. Shakespearean Strategies of (Dis)Orientation in Othello , act I	225-230
Manzanas, Ana María. Conversion narratives: Othello and other black characters in Shakespeare's and Lope de Vega's plays	231-236
Gregor, Keith. The Elusive Ensign: Towards a ‘Grammar' of Iago's Motives	237-242
Ballesteros, Antonio: ‘Deformed, unfinished, sent before my time': Monstrosity in Richard III and Mary Shelley's Frankenstein	243-248
Alvarez Faedo, María José. The Epic Tone in Shakespeare's Henry V	249-252
Cora, Jesús: Shylock's five-facetted character	253-260
Arias Doblas, María del Rosario. Gender Ambiguity and Desire in Twelfth Night	261-264
González Campos, Miguel Angel: An Isle full of Noises, Sounds and Sweet Airs: Shakespeare's The Tempest and Krzysztof Kieslowski's Red	265-268
Muñoz Valdivieso, Sofía. ‘He hourly humanizes': Transformations and Appropiations of Shakespeare's Caliban	269-272
Soubriet, Beatriz. Ovid & Shakespeare's Venus and Adonis: A Study of sexual-role reversal	273-276
Bueno Alonso, Jorge Luis. The Fair and the Unfair: Renaissance Images and their change in Shakespeare's Sonnets	277-286
Martínez, Miguel. Teaching Shakespeare's Sonnets: Time as Fracture in Sonnets 18, 60, 73	287-296
Sánchez Escribano, F. Javier: Who's who in Sederi (1996)	297-318

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