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Edited by Juan Antonio Prieto Pablos Manuel Gómez Lara & María José Mora Sena & S. G. Fernández-Corugedo Sederi — Universidad de Sevilla 1998 ISSN 1135-7789

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Contents:
Preliminaries	1-4
SECTION I: TOPICS IN RENAISSANCE ENGLISH
García-Bermejo Giner, María Fuencisla. “Some Northern Dialect Features in Deloney's Thomas of Reading ”	5-18
O'Neill, Maria. “The Sweet Smoke of Rhetoric": Some Observations on Shakespeare's Theory of Language”	19-24
Rodríguez Ledesma, Nieves. “ Othere places delitables in two sixteenth-century texts”	25-34
Varela Pérez, José Ramón. “The use of periphrastic do in Early Modern English negative declaratives: evidence from the Helsinki Corpus”	35-46
SECTION II: TOPICS IN LITERATURE & CRITICISM
Martínez-Dueñas Espejo, José Luis. “Rhetorical tradition and the argument of separation: Milton 's The Doctrine and Discipline of Divorce ”	49-58
Ballesteros, Antonio: “‘The Rest is Silence': Absent Voices in John Donne's Songs and Sonnets ”	59-64
Crespo Candeias Velez Relvas, María de Jesus. “Sir Robert Sidney's Poems Revisited: the Alternative Sequence”	65-69
Jiménez Heffernan, Julián. “John Donne and the New Universe. Retaking the issue”	71-82
Jiménez Placer, Susana. “New England Puritans: “The Lord's Free People”	83-90
López-Peláez Casellas, Jesús, “ocial Function of the Renaissance Concept of Honour: An Introduction”	91-97
Paiva Correia, María Hélena de. “A Sense of Continuity: lyric sequences, dramatic cycles and narrative pilgrimages in late medieval and early modern Literature”	99-102
Tazón Salces, Juan. “The Expression of Fear: William Cecils' The Execution of Justice ”	103-109
SECTION III: TOPICS IN RENAISSANCE WOMEN WRITERS
Hutson, Lorna. “‘Who Speaks for Justice?': Renaissance Legal Development and the Literary Voices of Women”	113-136
Calderón López, María Isabel: “‘If it be naught': Margaret Cavendish and the Performance of Transcendence”	137-146
Cuder Domínguez, Pilar. “‘Pretty Contradictions': the Virgin Prostitutes of Aphra Behn's The Feigned Courtesans ”	147-153
Domínguez García, Beatriz. “Female Relationships in Mary Pix's The Beau Defeated ”	155-161
Villegas López, Sonia. “Transgression and After: Fathers and Daughters in Susanna Centlivre's The Busybody ”	163-169
SECTION IV: SHAKESPEARE & THEATRE
Wells, R. H. “Shakespeare, Virgil and the Politics of Violence”	173-190
Solokova, Boika. “A clockwork brick in the Wall: Shakespeare and Communist Aesthetics”	191-201
Carvalho Homem, Rui. “At the damsels' feet: Translation and decorum in a nineteenth-century Hamlet ”	203-209
Díaz Fernández, José Ramón. “Rosalind in Jeans: Christine Edzard's Film Version of As You Like It ”	211-216
Luis Martínez, Zenón. “‘A Speechless Dialect': Gender and Self-Recognition in Measure for Measure ”	217-225
Muñoz Valdivieso, Sofía. “‘Silence is the perfectest herald of joy': The Claudio-Hero Plot in Kenneth Branagh's Much Ado About Nothing ”	227-232
Portillo, Rafael and Mercedes Salvador. “Shakespeare in Spanish Translations: Recent Findings About the Nacente Collection”	233-238
Tronch Pérez, Jesús. “‘Conflation' in the non-conflated Shakespearian editions”	239-249
Cora Alonso, Jesús. “The Circle Pattern in Ben Jonson's Volpone ”	251-268
Figueirôa Navarro Machado, Maria Salomé. “The Three Faces of the Goddess in Ben Jonson's Masque of Queens ”	269-274
González Campos, Miguel Ángel. “Crime, Revenge and Horror: Peter Greenaway's The Cook, The Thief, His Wife and Her Lover as a Jacobean Revenge Tragedy”	275-280
González Fernández de Sevilla, José Manuel. “The Court Drama of Ben Jonson and Calderón”	281-290
Hidalgo Ciudad, Juan Carlos. “Marlowe, Jarman, and Edward II : Use or Abuse?”	291-295
Vélez Núñez, Rafael. “Beyond the emblem: Alchemical Albedo in Ben Jonson's The Masque of Blacknes ”	297-304

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