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Sederi — 2005 EDITORS Jorge Figueroa Borrego Clara Calvo López Javier Pérez Guerra ISSN 1135-7789

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Contents:
ARTICLES
Castro Carracedo, Juan. “To lerne you to dye when ye wyll”: John Skelton and the Ars Moriendi tradition”	5-21
Fanego, Teresa. “Fare thee well, dame”: Shakespeare's forms of address and their socio-affective role	23-42
Muñoz Valdivieso, Sofía. Postmodern recreations of the Renaissance: Robert Nye's fictional biographies of William Shakespeare	43-62
Portillo, Rafael. Staging Restoration dramas: practical aspects of their performance	63-80
Ribes Traver, Purificación. Araquistáin's 1929 version of Volpone	81-100
NOTES
Gómez Lara, Manuel J. Ambiguous devices: the use of dramatic emblems in Marlowe's Edward II (1592)	103-113
Mora, María José. The political is personal: the attack on Shadwell in Sir Barnaby Whigg	115-128
Pujante, Angel Luis & Keith Gregor. The four neoclassical Spanish Hamlets: assimilation and revision	129-141
REVIEWS
Prieto Pablos, Juan Antonio. Cerezo, Marta. 2005: Critical Approaches to Shakespeare: Shakespeare for All Tim	145-150
Mora, María José. Eyre, Richard (dir.) 2004: Stage Beauty. Screenplay by Jeffrey Hatcher. Performed by Billy Crudup and Claire Danes	151-156
Loureiro Porto, Lucía. Hart, David (ed.) 2003: English Modality in Context. Diachronic Perspectives	157-161
De Pando Mena, Paula. Luis-Martínez, Zenón and Jorge Figueroa-Dorrego (eds.) 2003: Re-shaping the Genres. Restoration Women Writers	162-167

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