Contents:
|
| ARTICLES |
| Adamson, Silvia. Deixis and the renaissance art of self-construction |
5-29 |
 |
|
| Maguire, Laurie. Helen of Troy : representing absolute beauty in language |
31-51 |
 |
|
| Monrós Gaspar, Laura: “Boscovos tromuldo boscovos”: a case study in the translation of William Shakespeare's All's well that Ends Well |
53-70 |
 |
|
| Da Cunha Resende, Aimara: “Here's sport indeed!”: interchangeable voices and mass communication in renaissance England |
71-90 |
 |
|
| Ribes, Purificación: Country viwes and country girls in eighteenth-century England . A history of theatrical rewriting |
91-108 |
 |
|
| Sánchez Escribano, F. Javier Portuguese in England in the sixteenth and seventeenth centuries |
109-132 |
 |
|
| NOTES |
| Bueno Alonso, Jorge Luis. Two Spanish renderings of Philip Sidney's “First Song” from Astrophil & Stella (1591): a reappraisal and a new proposal |
135-151 |
 |
|
| Cranmer, David. English music in the library of king Joao IV of Portugal |
153-160 |
 |
|
| De Pando Mena, Paula: Emasculated subjects and subjugated wives: discourses of domination in John Bank's Vertue Bretay'd (1682) |
161-175 |
 |
|
| REVIEWS |
| Bueno Alonso, Jorge Luis. A concise companion to Shakespeare on screen , ed. by Diana E. Henderson |
179-188 |
 |
|
| Hoenselaars, Ton. Renaissance and Reformations: an introduction to early modern literature , by Michael Hattaway |
189-193 |
 |
|
| Hoenselaars, Ton. Shakespeare on screen: “ Richard III ”, ed. by Sarah Hatchuel & Nathalie Vienne-Guerrin |
195-198 |
 |
|
| Mora, María José. The Libertine , dir. Laurence Dunmore |
199-204 |
 |
|
| Sáez Hidalgo , Ana. Gloriana's Rule: Literature, Religion and Power in the Age of Elizabeth , ed. by Rui Carvalho Homen & Fátima Vieira |
205-210 |
 |
|