Sederi Yearbook 22



Sederi 22
Sederi 22 — 2012
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

 

Keith Gregor, “Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain.” SEDERI 22 (2012): 155-169.

 

DOI: https://doi.org/10.34136/sederi.2012.8                                                     Download PDF

 

Abstract

The paper explores the philosophical debates raging in Spain following naval defeat by the US in 1898 and the subsequent loss of the country’s last remaining colonies in the Caribbean and the Pacific. Facing what the national press presented as a debilitating pessimism and paralysis – a result of humiliation by a vastly superior and technologically advanced power – a group of intellectuals known as the “Generation of ‘98” launched a strident campaign aimed at rebooting the nation’s social, economic and cultural identity, in which the Spanish nation was imaginatively recast as a kind of Hamlet awaiting the arrival of Fortinbras. The various implications of the Spain-as-Hamlet trope are considered, especially in the light of the play’s minimal impact on cultural production at the turn of the century. Not the least of the paradoxes surrounding the trope is the conflicting uses to which it was put: now a metaphor for the decadence of Spanish social and political life, now a source of inspiration for the call for regeneration; now a mode of emplotting the break-up of the nation-state, now a way of framing the question of national unity.

Keywords: Shakespeare; Hamlet; Spain; Generation of ’98; national press; metaphor; emplotment.

 

 

References

Azorín [José Martínez Ruiz] 1969. La generación del 98. Salamanca: Anaya.

Cerdá, Juan Francisco 2010. “Shakespeare and the Renovation of Spanish Theatrical Culture (1898-1936).” Ph. Diss. Universidad de Murcia.

Foakes, R. A. 1993. Hamlet versus Lear. Cultural Politics and Shakespeare’s Art. Cambridge: Cambridge University Press.

Granjel, Luis S. 1973. La generación literaria del noventa y ocho. Salamanca: Anaya.

Gregor, Keith 2010. Shakespeare in the Spanish Theatre: 1772 to the Present. London & New York: Continuum.

Han, Younglim 2001. Romantic Shakespeare: from Page to Stage. Cranbury, NJ: Associated University Presses.

Maeztu, Ramiro de 1968. Don Quijote, Don Juan y la Celestina: ensayos en simpatía. Madrid: Espasa-Calpe.

Pfister, Manfred 1986. “‘Germany Is Hamlet’: the History of a Political Interpretation.” New Comparison 2: 106-126.

Pujante, Ángel Luis and Laura Campillo eds. 2007. Shakespeare en España: Textos 1764-1916. Universidad de Granada and Universidad de Murcia: Editum.

Rull, Enrique 1984. El modernismo y la generación del 98. Madrid: Playor.

Shaw, Donald L. 1982. La generación del 98. Trans. Carmen Hierro. Madrid: Cátedra.

White, Hayden 1990 (1978). Tropics of Discourse: Essays in Cultural Criticism. Baltimore & London: Johns Hopkins University Press.