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A.S.G. Edwards, “William Forrest: Poetry, politics, script and power.” SEDERI 29 (2019): 163–78.   DOI: https://doi.org/10.34136/sederi.2019.7                                                          Download PDF   Abstract This article examines the poetic and scribal activities […]

Sánchez-García, Inmaculada N. “Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad.” SEDERI 29 (2019): 135–60.   DOI: https://doi.org/10.34136/sederi.2019.6                                                          […]

Elizabeth Mazzola, “Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare’s stage.” SEDERI 29 (2019): 109–33.   DOI: https://doi.org/10.34136/sederi.2019.5                                                          Download PDF   Abstract Women who […]

Clark Hulse, “Ovid’s urban metamorphosis.” SEDERI 29 (2019): 85–108.   DOI: https://doi.org/10.34136/sederi.2019.4                                                          Download PDF   Abstract In Book XV of Ovid’s Metamorphoses, Pythagoras meditates on the rise and […]

Sophie Chiari, “The limner’s art in Shakespeare’s Macbeth.” SEDERI 29 (2019): 61–83.   DOI: https://doi.org/10.34136/sederi.2019.3                                                          Download PDF   Abstract Macbeth is a graphic work whose visual rhetoric mirrors […]

Delilah Bermudez Brataas, “The blurring of genus, genre, and gender in Margaret Cavendish’s utopias.” SEDERI 29 (2019): 35–59.   DOI: https://doi.org/10.34136/sederi.2019.2                                                          Download PDF   Abstract The Blazing World […]

Manel Bellmunt-Serrano, “Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation.” SEDERI 29 (2019): 11–33.   DOI: https://doi.org/10.34136/sederi.2019.1                                                          Download PDF   Abstract This article tries to […]