diciembre 2025

Sederi Yearbook 35

Publicado en por sederi

Isabel de la Cruz Cabanillas / Irene Diego Rodríguez, “Astrologia Ypocratis and its vernacular early modern afterlives.” SEDERI 35 (2025): 11–28. DOI: https://doi.org/10.34136/sederi.2025.1 Download PDF Abstract Astrologia Ypocratis is […]

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Sederi Yearbook 35

Publicado en por sederi

Tommi Dunderlin, «A restless play of affective infections: Gendered spherology in Love’s Labour’s Lost.» SEDERI 35 (2025): 29–50. DOI: https://doi.org/10.34136/sederi.2025.2 Download PDF Abstract The article examines intimate space in […]

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Sederi Yearbook 35

Publicado en por sederi

Susana Flor, «Was Queen Catherine of Braganza a collector? Collecting, displaying, consuming in Bemposta, Lisbon.» SEDERI 35 (2025): 51–75. DOI: https://doi.org/10.34136/sederi.2025.3 Download PDF Abstract Catherine of Braganza (1638–1705), Infanta […]

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Sederi Yearbook 35

Publicado en por sederi

Andrew Hadfield, «Al-Hassan Muhammad al-Wazzan and John Pory: Race and the dawn of the British Empire.» SEDERI 35 (2025): 77–100. DOI: https://doi.org/10.34136/sederi.2025.4 Download PDF Abstract This article explores the […]

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- Yearbook

Sederi 35

Publicado en por sederi

Sederi 35
Sederi 35 — 2025
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
PRODUCTION EDITOR
David J. Amelang
ISSN 1135-7789

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ARTICLES	Pag.
Isabel de la Cruz Cabanillas / Irene Diego Rodríguez. Astrologia Ypocratis and its vernacular early modern afterlives	11-28
Tommi Dunderlin. A restless play of affective infections: Gendered spherology in Love’s Labour’s Lost	29-50
Susana Flor. Was Queen Catherine of Braganza a collector? Collecting, displaying, consuming in Bemposta, Lisbon	51-75
Andrew Hadfield. Al-Hassan Muhammad al-Wazzan and John Pory: Race and the dawn of the British Empire	77-100

REVIEWS	Pag.
Catherine Bates, The Oxford Handbook of Philip Sidney (by Jonathan P. A. Sell)	103-107
John Crowne, El galán casado, o el curioso impertinente (by Raquel Serrano González)	109-112
Aneta Mancewicz, Hamlet After Deconstruction (by Francesca Rayner)	113-115
María José Mora / Manuel J. Gómez Lara, eds., Thomas Durfey’s Love for Money, or The Boarding School (1691). A Critical Edition — Eneas Caro Partridge, ed., Edward Ravenscroft’s Mamamouchi, or The Citizen Turned Gentleman (1672). A Critical Edition (by Sonia Villegas López)	117-121
Sonia Villegas-López, editor and translator, Cartas Sociables (by Sergio Marín-Conejo)	123-127

INTERVIEWS	Pag.
Ariel (2025), directed by Lois Patiño, a Shakespearean Filmic Metatext for the Twenty-First Century: An Inter(Re)view (by Jorge Luis Bueno Alonso)	131-167