Sederi 24

Sederi 24
Sederi 24 — 2014
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Clark, Sandra. Women, class, and the language of madness in early modern English drama 7-26
Halpern, Richard. Bassanio’s bailout: A brief history of risk, Shakespeare to Wall Street 27-45
MacCrossan, Colm. Framing “Nova Albion”: Marking possession in Richard Hakluyt’s The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation 47-68
Maley, Willy. Peninsula Lost: Mapping Milton’s Celtiberian cartographies 69-93
Sell, Jonathan P. A. “Warts and all”: John Lyly’s atheist aesthetics 95-118
Matei-Chesnoiu, Monica. The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes 119-139

NOTES Pag.        
Hutchings, Mark. “Those rebellious Hollanders“: The Changeling‘s double Dutch 143-156
Ramalhete Gomes, Miguel. Intended for the stage: Performance criticism in Richard Brome’s The Antipodes 157-169
Sánchez-de-Nieva, María J. A bibliographical description of the British Library copy of The Honour of Chivalrie (1598) 171-179

REVIEWS Pag.        
Belén Álvarez-Faedo. 2013. Edward II, Dr. Faustus y The Jew of Malta. Análisis de sus traducciones al español (by Jesús López-Peláez Casellas) 183-190
David Nichol. 2012. Middleton and Rowley: Forms of Collaboration in the Jacobean Playhouse (by Tony Bromham) 191-195
William Shakespeare. 2013. Sonetos y Querellas de una amante. English edition, introduction, translation and notes by Luciano García García (by José Ruiz Mas) 197-204
Romana Zacchi and Massimiliano Morini, eds. 2012. Richard Rowlands Verstegan: A Versatile Man in an Age of Turmoil (by Victor Houliston) 205-208

PERFORMANCE REVIEWS Pag.        
Shakespeare à La Brasileira Coulours Portugal: A Review of Sua Incelença, Ricardo III. Produced by Clowns be Shakespeare (by Livia Segurado) 209-215
Shakespeare, Macbeth. Suspense, London Puppetry Festival. Dir. Peter Glanville (London, 18 October 2013) (by Isabel Guerrero) 216-219
Shakespeare, Tempestad. Dir. Sergio Peris-Mencheta (Murcia, 25 October 2013) (by Isabel Guerrero Llorente) 220-224

Sederi 22

Sederi 22
Sederi 22 — 2012
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Álvarez Recio, Leticia. Pro-Match literature and royal supremacy: The case of Michael Du Val’s The Spanish English Rose (1622) 7-28
Curbet Soler, Joan. Towards a Miltonic Mariology: the word and the body of Mary in Paradise Regain’d (1671) 29-50
García-Periago, Rosa María. The re-birth of Shakespeare in India: Celebrating and Indianizing the Bard in 1964 51-68
Prieto Pablos, Juan Antonio. Women in breeches and modes of masculinity in Restoration comedy 69-92
Sumillera, Rocio G. Poetic invention and translation in sixteenth-century England 93-114
Zaharia, Oana-Alis. Translata Proficit: Revisiting John Florio’s translation of Michel de Montaigne’s Les Essais 115-138

NOTES Pag.        
Franssen, Paul J.C.M. Sites of transgression: The suburbs and the city in Thomas Dekker’s Shoemaker’s Holiday 133-146
Gregor, Keith. Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain 147-161

REVIEWS Pag.        
Pilar Cuder-Domínguez. 2011. Stuart Women Playwrights, 1613-1713 (by Jane Milling) 173-174
Jesús López-Peláez, ed. 2011. Strangers in Early Modern English Texts (by Primavera Cuder) 175-180
Abstracts and keywords in Spanish and Portuguese 181

Sederi 21

Sederi 21
Sederi 21 — 2011
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Crummé, Hannah Leah. The Impact of Lord Burghley and the Earl of Leicester’s Spanish-Speaking Secretariats 7-27
Oncins Martínez, José Luis. Shakespeare and Chess Again: A Proposal for an Alternative Reading of pawn(s) in King Lear, King John and The Winter’s Tale 29-47
Orkin, Martin. Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams 49-70
Paravano, Cristina. The Space of Identity and the Identity of Space in The City Wit by Richard Brome 71-90
Sell, Jonathan P. A. Learning to Scrawl: The Evolutionary Strain in Titus Andronicus 91-116
Bandín Fuertes, Elena. Performing Shakespeare in a Conflicting Cultural Context: Othello in Francoist Spain 119-132
Cinpoes, Nicoleta. Defrauding Daughters Turning Deviant Wives? Reading Female Agency in The Merchant of Venice 133-146
Hickman, Alan F. In a Minor Key: Visual Effects in Shake-Speare’s Sonnets 147-161

REVIEWS Pag.        
Jorge Figueroa-Dorrego and Cristina Larkin-Galiñanes eds. 2009. A Source Book of Literary and Philosophical Writings about Humour and Laughter: The Seventy-Five Essential Texts from Antiquity to Modern Times Lewiston (by Andrew Stott) 165-167
Keith Gregor, 2010. Shakespeare in the Spanish Theatre: 1772 to the Present (by Francesca Rayner) 169-174
Dennis Kennedy and Yong Li Lan eds. 2010. Shakespeare in Asia: Contemporary Performance (by Rosa García-Periago) 175-181
Gary Taylor et al. 2007. Thomas Middleton: The Collected Works and Thomas Middleton and Early Modern Textual Culture (by Mark Hutchings) 183-190

Sederi 20

Sederi 20
Sederi 20 — 2010
EDITORS
Berta Cano-Echevarría & Ana Sáez Hidalgo
REVIEW EDITOR
Francisco José Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Michael Dobson. The Pageant of History: Nostalgia, the Tudors, and the Community Play 5-25
Carmen Font Paz.“I have written the things which I did hear, see, tasted and handled:” Selfhood and Voice in Katherine Evans’ and Sarah Cheevers’ A Short Relation of TheirSufferings (1662) 27-56
Andrew Gurr.  Baubles on the Water: Sea Travel in Shakespeare’s Time 57-70
Zenón Luis Martínez. Macbeth and the Passions’ “Proper Stuff” 71-101
Ángel-Luis Pujante. The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources 103-119
Purificación Ribes Traver. Ludwig Tieck’s Herr Von Fuchs (1793) As the Perfect Embodiment of Romantic Irony 121-142

NOTE Pag.        
R. Scott Fraser. “The king has killed his heart:” The Death of Falstaff in Henry V 145-157

REVIEWS Pag.        
Elliott, J.H. 2009. Spain, Europe and the Wider World, 1500-1800(by Juan E. Tazón) 161-163
Jesús López-Peláez Casellas. 2009. “Honourable Murderers” El concepto del honor en Othello de Shakespeare y en los dramas de honor de Calderón (by Luciano García García) 165-172
Glyn Redworth. 2008. The She-Apostle. The Extraordinary Life and Death of Luisa de Carvajal (by Felipe Fernandez-Armesto) 173-176
Joseph P. Ward ed. 2008. Violence, Politics, and Gender in Early Modern England (by Carme Font Paz) 177-182

Sederi 19

Sederi 19
Sederi 19 — 2009
EDITORS
Berta Cano-Echevarría & Ana Sáez Hidalgo
REVIEW EDITOR
Francisco José Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Leticia Álvarez Recio. Pamphlet literature against the Anglo-Spanish Match: Thomas Scott’s Vox Populi (1620) 5-22
Mª Carmen Gomez Galisteo. Representing Native American women in early colonial American writings: Álvar Núñez Cabeza de Vaca, Juan Ortiz and John Smith 23-44
John J. Joughin. Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity 45-70
Lorena Laureano Domínguez. Pericles’ “unknown travels”: the dimensions of geography in Shakespeare’s Pericles 71-98
Sofía Muñoz Valdivieso. “Mine ear is much enamour’d of thy note:” Shakespeare’s intercultural dream in the Indian subcontinent 99-120
Purificación Ribes Traver. Early stage history of Jules Romains’ Volpone 121-150
Javier Ruano García. Looking for regional words in late seventeenth-century England: Bishop White Kennett and his ignored glossary to Parochial Antiquities (1695) 151-176

NOTES Pag.        
Jorge Figueroa Dorrego. Ariadne’s adaptation of Alexander Oldys’s The Fair Extravagant in She Ventures and He Wins 177-188
Mª Jesús Pérez Jáuregui. Henry Constable’s sonnets to Arbella Stuart 189-204

REVIEWS Pag.        
Tres tragedias de venganza: teatro renacentista inglés 2006. Ed., intr. & transl. José Ramón Díaz Fernández. Madrid: Gredos (by Juan Antonio Prieto Pablos) 205-210
Ángel-Luis Pujante and Laura Campillo eds. 2007. Shakespeare en España: Textos 1764-1916. Murcia: Universidad de Murcia; Granada: Universidad de Granada (by Jesús Tronch Pérez) 211-219

Sederi 18

Sederi 18
Sederi 18 — 2008
EDITORS
Jorge Figueroa Dorrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Díaz Santiago, Mª Victoria. The necromancer Friar Bacon in the magic world of Greene’s comedyFriar Bacon and Friar Bungay 5-26
Fernández Rodríguez, Carmen María. Frail patriarchy and the authority of the repressed in William Shakespeare’s Measure for Measure 27-43
Matuska, Ágnes. “Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays 45-59
Ribes Trave, Purificación. Stefan Zweig’s Volpone, eine lieblose Komödie: a reassessment 61-80
Rodríguez Rodríguez, Beatriz Mª. David Rowland’s Lazarillo de Tormes (1586): analysis of expansions in an Elizabethan translation 81-96
Ruano García, F. Javier. North-East Yorkshire speech in the late seventeenth century: a phonological orthographical evaluation of an anonymous printed broadside 97-119
Sell, Jonathan P.A.. Vulgar poesy and the music of disorder in The Tempest 121-145
Taylor, Gary. Historicism, presentism and time: Middleton’s The Spanish Gypsy and A Game at Chess 147-170

REVIEWS Pag.        
López-Peláez Casellas, Jesús. Borge, Francisco J. 2007. A New World for a New Nation. The Promotion of America in Early Modern England 173-179
Sáez Hidalgo, Ana. Álvarez Recio, Leticia 2006. Rameras de Babilonia: historia cultural del anticatolicismo en la Inglaterra Tudor 181-185

Sederi 17

Sederi 17
Sederi 17 — 2007
EDITORS
Jorge Figueroa Dorrego
Clara Calvo López
Javier Sánchez Díez
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Coral Escolá, Jordi. Seneca, what Seneca? The Chorus in The Spanish Tragedy 5-26
Cuder Domínguez, Pilar. Re-crafting the heroic, constructing a female hero: Margaret Cavendish and Aphra Behn 27-45
Culpeper, Jonathan. A new kind of dictionary for Shakespeare’s plays: an immodest proposal 47-73
Olivares Merino, Eugenio. Mary Roper Clarke Bassett and Meredith Hanmer’s Honorable Ladie of the Lande 75-91
Queiroz de Barros, Rita. Spelling standardisation in Shakespeare’s first editions: evidence from the Second Quarto and First Folio versions of Romeo and Juliet 93-108
Ruano García, F. Javier. Thou’rt a strange Fillie: a possible source for ‘y-tensing’ in seventeenth-century Lancashire dialect? 109-127

NOTE Pag.        
Monterrey , Tomás. Thomas Lodge’s Rosalynde and the Canary Islands 131-140

REVIEWS Pag.        
Borge, Francisco J. Sell, Jonathan P. A. 2006. Rhetoric and Wonder in English Travel Writing , 1560-1613 143-147
Casas Guijarro, Manuel. Teatre Lliure 2005. Ricardo 3º . Adapted and directed by Alex Rigola. Performed by Pere Arquillué 149-154
Cerdá Martínez, Juan Francisco. Fernie, Ewan, Ramona Wray, Mark Thornton Burnett and Clare Macmanus eds. 2005. Reconceiving the Renaissance:A Critical Reader 155-160

Sederi 16

Sederi 16
Sederi 16 — 2006
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Adamson, Silvia. Deixis and the renaissance art of self-construction 5-29
Maguire, Laurie. Helen of Troy : representing absolute beauty in language 31-51
Monrós Gaspar, Laura: “Boscovos tromuldo boscovos”: a case study in the translation of William Shakespeare’s All’s well that Ends Well 53-70
Da Cunha Resende, Aimara: “Here’s sport indeed!”: interchangeable voices and mass communication in renaissance England 71-90
Ribes, Purificación: Country viwes and country girls in eighteenth-century England . A history of theatrical rewriting 91-108
Sánchez Escribano, F. Javier Portuguese in England in the sixteenth and seventeenth centuries 109-132

NOTES Pag.        
Bueno Alonso, Jorge Luis. Two Spanish renderings of Philip Sidney’s “First Song” from Astrophil & Stella (1591): a reappraisal and a new proposal 135-151
Cranmer, David. English music in the library of king Joao IV of Portugal 153-160
De Pando Mena, Paula: Emasculated subjects and subjugated wives: discourses of domination in John Bank’s Vertue Bretay’d (1682) 161-175

REVIEWS Pag.        
Bueno Alonso, Jorge Luis. A concise companion to Shakespeare on screen , ed. by Diana E. Henderson 179-188
Hoenselaars, Ton. Renaissance and Reformations: an introduction to early modern literature , by Michael Hattaway 189-193
Hoenselaars, Ton. Shakespeare on screen: “ Richard III ”, ed. by Sarah Hatchuel & Nathalie Vienne-Guerrin 195-198
Mora, María José. The Libertine , dir. Laurence Dunmore 199-204
Sáez Hidalgo , Ana. Gloriana’s Rule: Literature, Religion and Power in the Age of Elizabeth , ed. by Rui Carvalho Homen & Fátima Vieira 205-210

Sederi 15

Sederi 15
Sederi — 2005
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Castro Carracedo, Juan. “To lerne you to dye when ye wyll”: John Skelton and the Ars Moriendi tradition” 5-21
Fanego, Teresa. “Fare thee well, dame”: Shakespeare’s forms of address and their socio-affective role 23-42
Muñoz Valdivieso, Sofía. Postmodern recreations of the Renaissance: Robert Nye’s fictional biographies of William Shakespeare 43-62
Portillo, Rafael. Staging Restoration dramas: practical aspects of their performance 63-80
Ribes Traver, Purificación. Araquistáin’s 1929 version of Volpone 81-100

NOTES Pag.        
Gómez Lara, Manuel J. Ambiguous devices: the use of dramatic emblems in Marlowe’s Edward II (1592) 103-113
Mora, María José. The political is personal: the attack on Shadwell in Sir Barnaby Whigg 115-128
Pujante, Angel Luis & Keith Gregor. The four neoclassical Spanish Hamlets: assimilation and revision 129-141

REVIEWS Pag.        
Prieto Pablos, Juan Antonio. Cerezo, Marta. 2005: Critical Approaches to Shakespeare: Shakespeare for All Tim 145-150
Mora, María José. Eyre, Richard (dir.) 2004: Stage Beauty. Screenplay by Jeffrey Hatcher. Performed by Billy Crudup and Claire Danes 151-156
Loureiro Porto, Lucía. Hart, David (ed.) 2003: English Modality in Context. Diachronic Perspectives 157-161
De Pando Mena, Paula. Luis-Martínez, Zenón and Jorge Figueroa-Dorrego (eds.) 2003: Re-shaping the Genres. Restoration Women Writers 162-167

Sederi 14

Sederi 14
Universidad de Jaén
2004
ISSN 1135-7789

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Contents

Pag.        
Contents & Editors’ Forewords i

ARTICLES Pag.        
Castro Carracedo, Juan. Pium Vestrus Catullum Britannum: The Influence of Catullus’ Poetry on John Skelton. 3
Cora Alonso, Jesús. “This dream is all amiss interpreted”: Julius Caesar, Shakespeare’s Alchemical Tragedy. 17
Demetriou, Eroulla. Michael Du Val and Count Gondomar: an Approximation towards the Authorship of The Spanish-English Rose Or The English-Spanish Pomgranet (c. 1623). 53
George, J.-A. “A pestelaunce on the crabyd queane”: The Hybrid Nature of John Pikeryng’s Horestes. 65
Jowett, John. Timon and Mining. 77
López-Peláez Casellas, Jesús. The Neo-Stoic Revival in English Literature of the Sixteenth and Seventeenth Centuries: An Approach. 93
Shorrocks, Graham. The Rev. William Hutton’s A Bran New Wark: The Westmorland Dialect in the Late Early-Modern Period. 117
Talvet, Jüri. Between Dreams and Reality: The Message and the Image of Renaissance Humanism. 137
Whitlock, Keith. The Robert Ashley Founding Bequest to the Middle Temple Library and John Donne’s Library. 153

NOTES Pag.        
Abrahams, Eileen. “I Nothing know”: Emilia’s Rhetoric of Self-Resistance in Othello. 179
Agrafojo Blanco, Héctor. The Rise of Modal Meanings in Early Modern English: the case of the Semi-Auxiliary Verb BE supposed to. 189
Domínguez Romero, Elena. Some Considerations on the Pastourelle in Shakespeare’s As You Like It. 199
González Campos, Miguel Ángel . The Portrayal of Treason in The Tempest: The Fourfold Role of a Machiavellian Duke. 207
Loureiro Porto, Lucía. A Corpus-Based Approach to eModE have need. 217
Mesa Villar, José María. Musings from Ophelia’s Watery Voyage: Images of Female Submission in Shakespeare’s and Millais’ Drowning Maiden. 227
Villegas López, Sonia. Aphra Behn’s Sentimental History: The Case Study of Agnes de Castro, or the Force of Generous Love (1688). 239

REVIEWS Pag.        
Bueno Alonso, Jorge Luis. Richard Dutton and Jean E. Howard, eds. 2003: A Companion to Shakespeare’s Works. 249
Figueroa Dórrego, Jorge. Joseph Arrowsmith. 2003: The Reformation. Edited by Juan A. Prieto-Pablos, María José Mora, Manuel J. Gómez-Lara and Rafael Portillo. 265
Machado, María Salomé. Reading Jorge Figueroa Dorrego’s Tecendo tramas, fiando ficcións: Narrativa inglesa de autoria feminina (1621-1688). 271
Prieto Pablos, Juan A. Ángel Luis Pujante and Ton Hoenselaars, eds. 2003: Four Hundred Years of Shakespeare in Europe. 273