Sederi 30

Sederi 30
Sederi 30 — 2020
EDITOR
Ana Sáez-Hidalgo
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Luis Javier Conejero-Magro. The School of Salamanca in the sixteenth century and the way kingship is canvassed in Shakespeare’s Richard II 7-28
Isabel de la Cruz Cabanillas. The Secrets of Alexis in Glasgow University Library MS Ferguson 7 29-46
Joan Curbet Soler. Writing and weaving: The textual and the textile in Spenser´s 1590 Faerie Queene, III.i 47-68
Irene Montori. Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton 69-89
Katherine Romack. The romance of Nahum Tate’s King Lear 91-115
Sonia Villegas López. Truth and wonder in Richard Head’s geographical fictions 117-37

REVIEWS Pag.        
Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes) 141-44
Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell) 145-50
Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido) 151-55
María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López) 157-62
Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín) 163-67
Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez) 169-76
Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch) 177-81

PERFORMANCE REVIEWS Pag.        
West Side Story (2018–2020) (by Víctor Huertas Martín) 183-88

Sederi 24

Sederi 24
Sederi 24 — 2014
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Clark, Sandra. Women, class, and the language of madness in early modern English drama 7-26
Halpern, Richard. Bassanio’s bailout: A brief history of risk, Shakespeare to Wall Street 27-45
MacCrossan, Colm. Framing «Nova Albion»: Marking possession in Richard Hakluyt’s The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation 47-68
Maley, Willy. Peninsula Lost: Mapping Milton’s Celtiberian cartographies 69-93
Sell, Jonathan P. A. «Warts and all»: John Lyly’s atheist aesthetics 95-118
Matei-Chesnoiu, Monica. The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes 119-139

NOTES Pag.        
Hutchings, Mark. «Those rebellious Hollanders«: The Changeling‘s double Dutch 143-156
Ramalhete Gomes, Miguel. Intended for the stage: Performance criticism in Richard Brome’s The Antipodes 157-169
Sánchez-de-Nieva, María J. A bibliographical description of the British Library copy of The Honour of Chivalrie (1598) 171-179

REVIEWS Pag.        
Belén Álvarez-Faedo. 2013. Edward II, Dr. Faustus y The Jew of Malta. Análisis de sus traducciones al español (by Jesús López-Peláez Casellas) 183-190
David Nichol. 2012. Middleton and Rowley: Forms of Collaboration in the Jacobean Playhouse (by Tony Bromham) 191-195
William Shakespeare. 2013. Sonetos y Querellas de una amante. English edition, introduction, translation and notes by Luciano García García (by José Ruiz Mas) 197-204
Romana Zacchi and Massimiliano Morini, eds. 2012. Richard Rowlands Verstegan: A Versatile Man in an Age of Turmoil (by Victor Houliston) 205-208

PERFORMANCE REVIEWS Pag.        
Shakespeare à La Brasileira Coulours Portugal: A Review of Sua Incelença, Ricardo III. Produced by Clowns be Shakespeare (by Livia Segurado) 209-215
Shakespeare, Macbeth. Suspense, London Puppetry Festival. Dir. Peter Glanville (London, 18 October 2013) (by Isabel Guerrero) 216-219
Shakespeare, Tempestad. Dir. Sergio Peris-Mencheta (Murcia, 25 October 2013) (by Isabel Guerrero Llorente) 220-224

Sederi 22

Sederi 22
Sederi 22 — 2012
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Álvarez Recio, Leticia. Pro-Match literature and royal supremacy: The case of Michael Du Val’s The Spanish English Rose (1622) 7-28
Curbet Soler, Joan. Towards a Miltonic Mariology: the word and the body of Mary in Paradise Regain’d (1671) 29-50
García-Periago, Rosa María. The re-birth of Shakespeare in India: Celebrating and Indianizing the Bard in 1964 51-68
Prieto Pablos, Juan Antonio. Women in breeches and modes of masculinity in Restoration comedy 69-92
Sumillera, Rocio G. Poetic invention and translation in sixteenth-century England 93-114
Zaharia, Oana-Alis. Translata Proficit: Revisiting John Florio’s translation of Michel de Montaigne’s Les Essais 115-138

NOTES Pag.        
Franssen, Paul J.C.M. Sites of transgression: The suburbs and the city in Thomas Dekker’s Shoemaker’s Holiday 133-146
Gregor, Keith. Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain 147-161

REVIEWS Pag.        
Pilar Cuder-Domínguez. 2011. Stuart Women Playwrights, 1613-1713 (by Jane Milling) 173-174
Jesús López-Peláez, ed. 2011. Strangers in Early Modern English Texts (by Primavera Cuder) 175-180
Abstracts and keywords in Spanish and Portuguese 181

Sederi 21

Sederi 21
Sederi 21 — 2011
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Crummé, Hannah Leah. The Impact of Lord Burghley and the Earl of Leicester’s Spanish-Speaking Secretariats 7-27
Oncins Martínez, José Luis. Shakespeare and Chess Again: A Proposal for an Alternative Reading of pawn(s) in King Lear, King John and The Winter’s Tale 29-47
Orkin, Martin. Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams 49-70
Paravano, Cristina. The Space of Identity and the Identity of Space in The City Wit by Richard Brome 71-90
Sell, Jonathan P. A. Learning to Scrawl: The Evolutionary Strain in Titus Andronicus 91-116
Bandín Fuertes, Elena. Performing Shakespeare in a Conflicting Cultural Context: Othello in Francoist Spain 119-132
Cinpoes, Nicoleta. Defrauding Daughters Turning Deviant Wives? Reading Female Agency in The Merchant of Venice 133-146
Hickman, Alan F. In a Minor Key: Visual Effects in Shake-Speare’s Sonnets 147-161

REVIEWS Pag.        
Jorge Figueroa-Dorrego and Cristina Larkin-Galiñanes eds. 2009. A Source Book of Literary and Philosophical Writings about Humour and Laughter: The Seventy-Five Essential Texts from Antiquity to Modern Times Lewiston (by Andrew Stott) 165-167
Keith Gregor, 2010. Shakespeare in the Spanish Theatre: 1772 to the Present (by Francesca Rayner) 169-174
Dennis Kennedy and Yong Li Lan eds. 2010. Shakespeare in Asia: Contemporary Performance (by Rosa García-Periago) 175-181
Gary Taylor et al. 2007. Thomas Middleton: The Collected Works and Thomas Middleton and Early Modern Textual Culture (by Mark Hutchings) 183-190

Sederi 20

Sederi 20
Sederi 20 — 2010
EDITORS
Berta Cano-Echevarría & Ana Sáez Hidalgo
REVIEW EDITOR
Francisco José Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Michael Dobson. The Pageant of History: Nostalgia, the Tudors, and the Community Play 5-25
Carmen Font Paz.“I have written the things which I did hear, see, tasted and handled:” Selfhood and Voice in Katherine Evans’ and Sarah Cheevers’ A Short Relation of TheirSufferings (1662) 27-56
Andrew Gurr.  Baubles on the Water: Sea Travel in Shakespeare’s Time 57-70
Zenón Luis Martínez. Macbeth and the Passions’ “Proper Stuff” 71-101
Ángel-Luis Pujante. The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources 103-119
Purificación Ribes Traver. Ludwig Tieck’s Herr Von Fuchs (1793) As the Perfect Embodiment of Romantic Irony 121-142

NOTE Pag.        
R. Scott Fraser. “The king has killed his heart:” The Death of Falstaff in Henry V 145-157

REVIEWS Pag.        
Elliott, J.H. 2009. Spain, Europe and the Wider World, 1500-1800(by Juan E. Tazón) 161-163
Jesús López-Peláez Casellas. 2009. “Honourable Murderers” El concepto del honor en Othello de Shakespeare y en los dramas de honor de Calderón (by Luciano García García) 165-172
Glyn Redworth. 2008. The She-Apostle. The Extraordinary Life and Death of Luisa de Carvajal (by Felipe Fernandez-Armesto) 173-176
Joseph P. Ward ed. 2008. Violence, Politics, and Gender in Early Modern England (by Carme Font Paz) 177-182

Sederi 19

Sederi 19
Sederi 19 — 2009
EDITORS
Berta Cano-Echevarría & Ana Sáez Hidalgo
REVIEW EDITOR
Francisco José Borge López
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Leticia Álvarez Recio. Pamphlet literature against the Anglo-Spanish Match: Thomas Scott’s Vox Populi (1620) 5-22
Mª Carmen Gomez Galisteo. Representing Native American women in early colonial American writings: Álvar Núñez Cabeza de Vaca, Juan Ortiz and John Smith 23-44
John J. Joughin. Dividuated selves: on Renaissance criticism, critical finitude and the experience of ethical subjectivity 45-70
Lorena Laureano Domínguez. Pericles’ “unknown travels”: the dimensions of geography in Shakespeare’s Pericles 71-98
Sofía Muñoz Valdivieso. “Mine ear is much enamour’d of thy note:” Shakespeare’s intercultural dream in the Indian subcontinent 99-120
Purificación Ribes Traver. Early stage history of Jules Romains’ Volpone 121-150
Javier Ruano García. Looking for regional words in late seventeenth-century England: Bishop White Kennett and his ignored glossary to Parochial Antiquities (1695) 151-176

NOTES Pag.        
Jorge Figueroa Dorrego. Ariadne’s adaptation of Alexander Oldys’s The Fair Extravagant in She Ventures and He Wins 177-188
Mª Jesús Pérez Jáuregui. Henry Constable’s sonnets to Arbella Stuart 189-204

REVIEWS Pag.        
Tres tragedias de venganza: teatro renacentista inglés 2006. Ed., intr. & transl. José Ramón Díaz Fernández. Madrid: Gredos (by Juan Antonio Prieto Pablos) 205-210
Ángel-Luis Pujante and Laura Campillo eds. 2007. Shakespeare en España: Textos 1764-1916. Murcia: Universidad de Murcia; Granada: Universidad de Granada (by Jesús Tronch Pérez) 211-219

Sederi 18

Sederi 18
Sederi 18 — 2008
EDITORS
Jorge Figueroa Dorrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Díaz Santiago, Mª Victoria. The necromancer Friar Bacon in the magic world of Greene’s comedyFriar Bacon and Friar Bungay 5-26
Fernández Rodríguez, Carmen María. Frail patriarchy and the authority of the repressed in William Shakespeare’s Measure for Measure 27-43
Matuska, Ágnes. “Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays 45-59
Ribes Trave, Purificación. Stefan Zweig’s Volpone, eine lieblose Komödie: a reassessment 61-80
Rodríguez Rodríguez, Beatriz Mª. David Rowland’s Lazarillo de Tormes (1586): analysis of expansions in an Elizabethan translation 81-96
Ruano García, F. Javier. North-East Yorkshire speech in the late seventeenth century: a phonological orthographical evaluation of an anonymous printed broadside 97-119
Sell, Jonathan P.A.. Vulgar poesy and the music of disorder in The Tempest 121-145
Taylor, Gary. Historicism, presentism and time: Middleton’s The Spanish Gypsy and A Game at Chess 147-170

REVIEWS Pag.        
López-Peláez Casellas, Jesús. Borge, Francisco J. 2007. A New World for a New Nation. The Promotion of America in Early Modern England 173-179
Sáez Hidalgo, Ana. Álvarez Recio, Leticia 2006. Rameras de Babilonia: historia cultural del anticatolicismo en la Inglaterra Tudor 181-185

Sederi 17

Sederi 17
Sederi 17 — 2007
EDITORS
Jorge Figueroa Dorrego
Clara Calvo López
Javier Sánchez Díez
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Coral Escolá, Jordi. Seneca, what Seneca? The Chorus in The Spanish Tragedy 5-26
Cuder Domínguez, Pilar. Re-crafting the heroic, constructing a female hero: Margaret Cavendish and Aphra Behn 27-45
Culpeper, Jonathan. A new kind of dictionary for Shakespeare’s plays: an immodest proposal 47-73
Olivares Merino, Eugenio. Mary Roper Clarke Bassett and Meredith Hanmer’s Honorable Ladie of the Lande 75-91
Queiroz de Barros, Rita. Spelling standardisation in Shakespeare’s first editions: evidence from the Second Quarto and First Folio versions of Romeo and Juliet 93-108
Ruano García, F. Javier. Thou’rt a strange Fillie: a possible source for ‘y-tensing’ in seventeenth-century Lancashire dialect? 109-127

NOTE Pag.        
Monterrey , Tomás. Thomas Lodge’s Rosalynde and the Canary Islands 131-140

REVIEWS Pag.        
Borge, Francisco J. Sell, Jonathan P. A. 2006. Rhetoric and Wonder in English Travel Writing , 1560-1613 143-147
Casas Guijarro, Manuel. Teatre Lliure 2005. Ricardo 3º . Adapted and directed by Alex Rigola. Performed by Pere Arquillué 149-154
Cerdá Martínez, Juan Francisco. Fernie, Ewan, Ramona Wray, Mark Thornton Burnett and Clare Macmanus eds. 2005. Reconceiving the Renaissance:A Critical Reader 155-160

Sederi 16

Sederi 16
Sederi 16 — 2006
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Adamson, Silvia. Deixis and the renaissance art of self-construction 5-29
Maguire, Laurie. Helen of Troy : representing absolute beauty in language 31-51
Monrós Gaspar, Laura: “Boscovos tromuldo boscovos”: a case study in the translation of William Shakespeare’s All’s well that Ends Well 53-70
Da Cunha Resende, Aimara: “Here’s sport indeed!”: interchangeable voices and mass communication in renaissance England 71-90
Ribes, Purificación: Country viwes and country girls in eighteenth-century England . A history of theatrical rewriting 91-108
Sánchez Escribano, F. Javier Portuguese in England in the sixteenth and seventeenth centuries 109-132

NOTES Pag.        
Bueno Alonso, Jorge Luis. Two Spanish renderings of Philip Sidney’s “First Song” from Astrophil & Stella (1591): a reappraisal and a new proposal 135-151
Cranmer, David. English music in the library of king Joao IV of Portugal 153-160
De Pando Mena, Paula: Emasculated subjects and subjugated wives: discourses of domination in John Bank’s Vertue Bretay’d (1682) 161-175

REVIEWS Pag.        
Bueno Alonso, Jorge Luis. A concise companion to Shakespeare on screen , ed. by Diana E. Henderson 179-188
Hoenselaars, Ton. Renaissance and Reformations: an introduction to early modern literature , by Michael Hattaway 189-193
Hoenselaars, Ton. Shakespeare on screen: “ Richard III ”, ed. by Sarah Hatchuel & Nathalie Vienne-Guerrin 195-198
Mora, María José. The Libertine , dir. Laurence Dunmore 199-204
Sáez Hidalgo , Ana. Gloriana’s Rule: Literature, Religion and Power in the Age of Elizabeth , ed. by Rui Carvalho Homen & Fátima Vieira 205-210

Sederi 15

Sederi 15
Sederi — 2005
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Castro Carracedo, Juan. “To lerne you to dye when ye wyll”: John Skelton and the Ars Moriendi tradition” 5-21
Fanego, Teresa. “Fare thee well, dame”: Shakespeare’s forms of address and their socio-affective role 23-42
Muñoz Valdivieso, Sofía. Postmodern recreations of the Renaissance: Robert Nye’s fictional biographies of William Shakespeare 43-62
Portillo, Rafael. Staging Restoration dramas: practical aspects of their performance 63-80
Ribes Traver, Purificación. Araquistáin’s 1929 version of Volpone 81-100

NOTES Pag.        
Gómez Lara, Manuel J. Ambiguous devices: the use of dramatic emblems in Marlowe’s Edward II (1592) 103-113
Mora, María José. The political is personal: the attack on Shadwell in Sir Barnaby Whigg 115-128
Pujante, Angel Luis & Keith Gregor. The four neoclassical Spanish Hamlets: assimilation and revision 129-141

REVIEWS Pag.        
Prieto Pablos, Juan Antonio. Cerezo, Marta. 2005: Critical Approaches to Shakespeare: Shakespeare for All Tim 145-150
Mora, María José. Eyre, Richard (dir.) 2004: Stage Beauty. Screenplay by Jeffrey Hatcher. Performed by Billy Crudup and Claire Danes 151-156
Loureiro Porto, Lucía. Hart, David (ed.) 2003: English Modality in Context. Diachronic Perspectives 157-161
De Pando Mena, Paula. Luis-Martínez, Zenón and Jorge Figueroa-Dorrego (eds.) 2003: Re-shaping the Genres. Restoration Women Writers 162-167