• Yearbook
  • Sederi 26

    Sederi 26
    Sederi 26 — 2016
    EDITOR
    Ana Sáez-Hidalgo
    MANAGING EDITOR
    Francisco J. Borge López
    REVIEW EDITOR
    María José Mora
    ISSN 1135-7789

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    ARTICLES Pag.        
    Drakakis, John. Money makes the world go round: Shakespeare, commerce and community 7-30
    McJannet, Linda. Timür’s theatrical journey: Or, when did Tamburlaine become black? 31-66
    Ortiz-Salamovich, Alejandra. Anthony Munday’s Palmerin d’Oliva: Representing sexual threat in the Near East 67-84
    Pascual Garrido, Mª Luisa. Re-Humanising Coriolanus: Community and the ethical self 85-108
    García-Periago, Rosa M. More than an Indian teen shrew: Postcolonial and transnational feminism in Isi Life Mein 105-128
    Tronch, Jesús. Database-oriented annotation of early modern plays: A proposal 129-156

    NOTES Pag.        
    Oliveira, Susana. “The intolerable business”: Religion and diplomacy under Elizabeth’s rule 159-164
    Schintu Martínez, Paula. “The mobile shall worship thee”: Cant language in Thomas Shadwell’s The Squire of Alsatia (1688) 175-193

    REVIEWS Pag.        
    Manuel J. Gómez-Lara, María José Mora, Paula de Pando, Rafael Portillo, Juan A. Prieto-PAblos and Rafael Vélez Núñez, eds. Restoration Comedy 1660-1670. A Catalogue (by Ángeles Tomé Rosales) 197-199
    Justin Kurzel dir. Macbeth (by Victor Huertas) 201-207
    James Mabbe. The Spanish Bawd. Edited by José María Pérez Fernández (by Jordi Sánchez-Martí) 209-216
    Bartolomé Sanz Albiñana. La expresión de la sexualidad en las traducciones españolas de “Hamlet” (by María José Álvarez Faedo) 219-222
    Oana-Alis Zaharia. Cultural Reworkings and Translations in/of Shakespeare’s Plays (by Mādālina Nicolaescu) 223-225

    PERFORMANCE REVIEWS Pag.        
    Las Alegres Casadas, Almagro, 2015 (by Isabel Guerrero) 227-231
    Recreating Shakespeare: You are my destiny (Lostupro di Lucrezia), Zagreb, 2014 (by Remedios Perni) 232-238

  • Yearbook
  • Sederi 25

    Sederi 25
    Sederi 25 — 2015
    EDITORS
    Berta Cano Echevarría & Ana Sáez-Hidalgo
    REVIEW EDITOR
    Francisco J. Borge López
    ISSN 1135-7789

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    Contents
    Pag.        
    Obituary in memoriam Prof. F. J. Sánchez Escribano 5-8

    ARTICLES Pag.        
    Calbi, Maurizio. Exilic/idyllic Shakespeare: Reiterating Pericles in Jacques Rivette’s Paris nous appartient 11-30
    Caporicci, Camilla. The tyranny of immaterialism: Refusing the body in The Winter’s Tale 31-54
    Hadfield, Andrew. Grimalkin and other Shakespearean Celts 55-76
    Houliston, Victor. Filling in the blanks: Catholic hopes for the English succession 77-104
    Lasa Álvarez, Begoña. Constructing a portrait of the early-modern woman writer for eighteenth-century female readers: George Ballard’s Memoirs of Several Ladies of Great Britain (1752) 105-127
    Rayner, Francesca. Adapting Macbeth in a Lusophone context: The challenges of intercultural performance 129-151

    NOTES Pag.        
    Mora, María José. The casting of Sancho in Durfey’s The Comical History of Don Quixote, Parts I-II (1694) 155-167

    REVIEWS Pag.        
    Camilla Caporici. 2013. The Dark Lady. La Rivoluzione Shakespeariana nei Sonetti Alla Dama Bruna, Passignano Sul Trasimeno (by Cristiano Ragni) 171-173
    Pilar Cuder-Domínguez, ed. 2014. Genre in English Literature, 1650-1700: Transitions in Drama and Fiction (by Jonathan P. A. Sell) 175-180
    Andy Kesson. 2014. John Lyly and Early Modern Authorship (by Jonathan P. A. Sell) 181-187
    Philip Lorenz. 2013. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama (by Víctor Huertas) 189-194
    Laura Martínez-García. 2014. Seventeenth- and Eighteenth Century English Comedies as a New Kind of Drama (by Jorge Figeroa Dorrego) 195-200
    Ángel-Luis Pujante, Juan F. Cerdá, eds. 2014. Shakespeare en España: Bibliografía anotada bilingüe / Shakespeare in Spain: an Annotated Bilingual Bibliography (by Rui Carvalho Homem) 201-205
    Miguel Ramalhete Gomes. 2014. Texts Waiting for History: William Shakespeare re-imagined by Heine Müller (by Francesca Rayner) 207-211
    Richards, Cynthia & Mary Ann O’Donnell eds. 2014. Approaches to Teaching Behn’s Oroonoko (by Ángeles Tomé Rosales) 213-217

    PERFORMANCE REVIEWS Pag.        
    Shakespeare in Almagro 2014: Hambret (by Isabel Guerrero) 219-223

  • Issues
  • Sederi 24

    Sederi 24
    Sederi 24 — 2014
    EDITORS
    Berta Cano Echevarría & Ana Sáez-Hidalgo
    REVIEW EDITOR
    Francisco J. Borge López
    ISSN 1135-7789

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    Contents

    ARTICLES Pag.        
    Clark, Sandra. Women, class, and the language of madness in early modern English drama 7-26
    Halpern, Richard. Bassanio’s bailout: A brief history of risk, Shakespeare to Wall Street 27-45
    MacCrossan, Colm. Framing “Nova Albion”: Marking possession in Richard Hakluyt’s The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation 47-68
    Maley, Willy. Peninsula Lost: Mapping Milton’s Celtiberian cartographies 69-93
    Sell, Jonathan P. A. “Warts and all”: John Lyly’s atheist aesthetics 95-118
    Matei-Chesnoiu, Monica. The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes 119-139

    NOTES Pag.        
    Hutchings, Mark. “Those rebellious Hollanders“: The Changeling‘s double Dutch 143-156
    Ramalhete Gomes, Miguel. Intended for the stage: Performance criticism in Richard Brome’s The Antipodes 157-169
    Sánchez-de-Nieva, María J. A bibliographical description of the British Library copy of The Honour of Chivalrie (1598) 171-179

    REVIEWS Pag.        
    Belén Álvarez-Faedo. 2013. Edward II, Dr. Faustus y The Jew of Malta. Análisis de sus traducciones al español (by Jesús López-Peláez Casellas) 183-190
    David Nichol. 2012. Middleton and Rowley: Forms of Collaboration in the Jacobean Playhouse (by Tony Bromham) 191-195
    William Shakespeare. 2013. Sonetos y Querellas de una amante. English edition, introduction, translation and notes by Luciano García García (by José Ruiz Mas) 197-204
    Romana Zacchi and Massimiliano Morini, eds. 2012. Richard Rowlands Verstegan: A Versatile Man in an Age of Turmoil (by Victor Houliston) 205-208

    PERFORMANCE REVIEWS Pag.        
    Shakespeare à La Brasileira Coulours Portugal: A Review of Sua Incelença, Ricardo III. Produced by Clowns be Shakespeare (by Livia Segurado) 209-215
    Shakespeare, Macbeth. Suspense, London Puppetry Festival. Dir. Peter Glanville (London, 18 October 2013) (by Isabel Guerrero) 216-219
    Shakespeare, Tempestad. Dir. Sergio Peris-Mencheta (Murcia, 25 October 2013) (by Isabel Guerrero Llorente) 220-224

  • Yearbook
  • Sederi 23

    Sederi 23
    Sederi 23 — 2013
    EDITORS
    Berta Cano Echevarría & Ana Sáez-Hidalgo
    REVIEW EDITOR
    Francisco J. Borge López
    ISSN 1135-7789

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    Contents

    ARTICLES Pag.        
    Holland, Peter. “A Kind of Character in thy Life”: Shakespeare and the Character of History 7-31
    López-Peláez Casellas, Jesús. Strangers at home: The Textual Construction of the Sherley Brothers 33-56
    Muñoz Valdivieso, Sonia. From Messina to Delhi: Much Ado about Staging Global Shakespeares in Olympic Times 57-78
    Oliveira, Susana. “But Why No Women Write, I Pray?”: Sarah Jinner’s Defence of Women’s Public Voice in Her Almanacs 79-94
    Parker, Patricia. Cymbeline: Arithmetic, Double-Entry Bookkeeping, Counts, and Accounts 95-119

    NOTES Pag.        
    Sánchez-Martí, Jordi. The University of Alicante Library copy of Palmerin d’Oliva (London, 1637): A Bibliographical Description 123-137
    Sumillera, Rocio G. Sixteenth-Century Italian, French, Spanish and English Language Learning Material. A Bibliographical Study 139-158

    REVIEWS Pag.        
    Michael Dobson. 2011. Shakespeare and Amateur Performance: A Cultural History (by José A. Pérez Díez) 161-165
    Ángel-Luis Pujante and Keith Gregor, eds. 2010. Hamlet en España: Las cuatro versiones neoclásicas / Keith Gregor and Ángel-Luis Pujante, eds. 2011. Macbeth en España: Las versiones neoclásicas (by Juan Antonio Prieto Pablos) 167-172
    Margarete Rubik, ed. 2011. Aphra Behn and Her Female Successors (by Sonia Villegas López) 173-178

  • Issues
  • Sederi 22

    Sederi 22
    Sederi 22 — 2012
    EDITORS
    Berta Cano Echevarría & Ana Sáez-Hidalgo
    REVIEW EDITOR
    Francisco J. Borge López
    ISSN 1135-7789

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    Contents

    ARTICLES Pag.        
    Álvarez Recio, Leticia. Pro-Match literature and royal supremacy: The case of Michael Du Val’s The Spanish English Rose (1622) 7-28
    Curbet Soler, Joan. Towards a Miltonic Mariology: the word and the body of Mary in Paradise Regain’d (1671) 29-50
    García-Periago, Rosa María. The re-birth of Shakespeare in India: Celebrating and Indianizing the Bard in 1964 51-68
    Prieto Pablos, Juan Antonio. Women in breeches and modes of masculinity in Restoration comedy 69-92
    Sumillera, Rocio G. Poetic invention and translation in sixteenth-century England 93-114
    Zaharia, Oana-Alis. Translata Proficit: Revisiting John Florio’s translation of Michel de Montaigne’s Les Essais 115-138

    NOTES Pag.        
    Franssen, Paul J.C.M. Sites of transgression: The suburbs and the city in Thomas Dekker’s Shoemaker’s Holiday 133-146
    Gregor, Keith. Disaster and after: Hamlet as metaphor in Fin-de-Siècle Spain 147-161

    REVIEWS Pag.        
    Pilar Cuder-Domínguez. 2011. Stuart Women Playwrights, 1613-1713 (by Jane Milling) 173-174
    Jesús López-Peláez, ed. 2011. Strangers in Early Modern English Texts (by Primavera Cuder) 175-180
    Abstracts and keywords in Spanish and Portuguese 181

  • Issues
  • Sederi 21

    Sederi 21
    Sederi 21 — 2011
    EDITORS
    Berta Cano Echevarría & Ana Sáez-Hidalgo
    REVIEW EDITOR
    Francisco J. Borge López
    ISSN 1135-7789

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    Contents

    ARTICLES Pag.        
    Crummé, Hannah Leah. The Impact of Lord Burghley and the Earl of Leicester’s Spanish-Speaking Secretariats 7-27
    Oncins Martínez, José Luis. Shakespeare and Chess Again: A Proposal for an Alternative Reading of pawn(s) in King Lear, King John and The Winter’s Tale 29-47
    Orkin, Martin. Film and the Uncanny, Shakespeare Making Possible Things Not so Held, Communicating with Dreams 49-70
    Paravano, Cristina. The Space of Identity and the Identity of Space in The City Wit by Richard Brome 71-90
    Sell, Jonathan P. A. Learning to Scrawl: The Evolutionary Strain in Titus Andronicus 91-116
    Bandín Fuertes, Elena. Performing Shakespeare in a Conflicting Cultural Context: Othello in Francoist Spain 119-132
    Cinpoes, Nicoleta. Defrauding Daughters Turning Deviant Wives? Reading Female Agency in The Merchant of Venice 133-146
    Hickman, Alan F. In a Minor Key: Visual Effects in Shake-Speare’s Sonnets 147-161

    REVIEWS Pag.        
    Jorge Figueroa-Dorrego and Cristina Larkin-Galiñanes eds. 2009. A Source Book of Literary and Philosophical Writings about Humour and Laughter: The Seventy-Five Essential Texts from Antiquity to Modern Times Lewiston (by Andrew Stott) 165-167
    Keith Gregor, 2010. Shakespeare in the Spanish Theatre: 1772 to the Present (by Francesca Rayner) 169-174
    Dennis Kennedy and Yong Li Lan eds. 2010. Shakespeare in Asia: Contemporary Performance (by Rosa García-Periago) 175-181
    Gary Taylor et al. 2007. Thomas Middleton: The Collected Works and Thomas Middleton and Early Modern Textual Culture (by Mark Hutchings) 183-190

  • Issues
  • Sederi 20

    Sederi 20
    Sederi 20 — 2010
    EDITORS
    Berta Cano-Echevarría & Ana Sáez Hidalgo
    REVIEW EDITOR
    Francisco José Borge López
    ISSN 1135-7789

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    Contents

    ARTICLES Pag.        
    Michael Dobson. The Pageant of History: Nostalgia, the Tudors, and the Community Play 5-25
    Carmen Font Paz.“I have written the things which I did hear, see, tasted and handled:” Selfhood and Voice in Katherine Evans’ and Sarah Cheevers’ A Short Relation of TheirSufferings (1662) 27-56
    Andrew Gurr.  Baubles on the Water: Sea Travel in Shakespeare’s Time 57-70
    Zenón Luis Martínez. Macbeth and the Passions’ “Proper Stuff” 71-101
    Ángel-Luis Pujante. The French Influence on Early Shakespeare Reception in Spain: Three Cases of Unacknowledged Sources 103-119
    Purificación Ribes Traver. Ludwig Tieck’s Herr Von Fuchs (1793) As the Perfect Embodiment of Romantic Irony 121-142

    NOTE Pag.        
    R. Scott Fraser. “The king has killed his heart:” The Death of Falstaff in Henry V 145-157

    REVIEWS Pag.        
    Elliott, J.H. 2009. Spain, Europe and the Wider World, 1500-1800(by Juan E. Tazón) 161-163
    Jesús López-Peláez Casellas. 2009. “Honourable Murderers” El concepto del honor en Othello de Shakespeare y en los dramas de honor de Calderón (by Luciano García García) 165-172
    Glyn Redworth. 2008. The She-Apostle. The Extraordinary Life and Death of Luisa de Carvajal (by Felipe Fernandez-Armesto) 173-176
    Joseph P. Ward ed. 2008. Violence, Politics, and Gender in Early Modern England (by Carme Font Paz) 177-182