Sederi Yearbook 27

  Laura Martínez-García, “Nelly or Ellen? Revamping the first English actresses in contemporary popular culture.” SEDERI 27 (2017): 213–228.   DOI: https://doi.org/10.34136/sederi.2017.10                                                     Download PDF   Abstract The first British actresses have […]

Sederi Yearbook 27

  Cristina Bravo Lozano,  “Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644).” SEDERI 27 (2017): 195–211.   DOI: https://doi.org/10.34136/sederi.2017.9                                                     Download PDF   Abstract The […]

Sederi Yearbook 27

  Juan de Dios Torralbo Caballero, “‘For know, alas, I’m dumb, alas I love’: Rhetoric of disability, female agency and tragedy in ‘The Dumb Virgin’.” SEDERI 27 (2017): 167–192.   DOI: https://doi.org/10.34136/sederi.2017.8                                                  […]

Sederi Yearbook 27

  Valerie Schutte, “Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor.” SEDERI 27 (2017): 149–166.   DOI: https://doi.org/10.34136/sederi.2017.7                                                     Download PDF   Abstract Comparisons of […]

Sederi Yearbook 27

Madalina Nicolaescu, “Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice.” SEDERI 27 (2017): 129–148. DOI: https://doi.org/10.34136/sederi.2017.6                                                     Download PDF Abstract Shakespeare was introduced into […]

Sederi Yearbook 27

Sofía Muñoz-Valdivieso, “Shakespeare our contemporary in 2016: Margaret Atwood’s rewriting of The Tempest in Hag-Seed” SEDERI 27 (2017): 105–129. DOI: https://doi.org/10.34136/sederi.2017.5                                                     Download PDF Abstract Margaret Atwood’s novel Hag-Seed (2016) is a […]

Sederi Yearbook 27

Víctor Huertas Martín, “Rupert Goold’s Macbeth (2010): Surveillance society and society of control.” SEDERI 27 (2017): 81–103. DOI: https://doi.org/10.34136/sederi.2017.4                                                     Download PDF Abstract This article deals with Rupert Goold’s film version of […]

Sederi Yearbook 27

Ana María Hornero Corisco,  “Translation of temporal dialects in the dubbed versions of Shakespeare films.” SEDERI 27 (2017): 47–79. DOI: https://doi.org/10.34136/sederi.2017.3                                                     Download PDF Abstract This paper intends to provide a thorough […]

Sederi Yearbook 27

  Isabel Guerrero, “Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral.” SEDERI 27 (2017): 27–46.   DOI: https://doi.org/10.34136/sederi.2017.2                                                     Download PDF   Abstract Shakespeare is one of the most often […]

Sederi Yearbook 27

  David J. Amelang, “From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet.” SEDERI 27 (2017): 7-26.   DOI: https://doi.org/10.34136/sederi.2017.1                                                     Download PDF   Abstract […]