Camilla Caporici. 2013. The Dark Lady. La Rivoluzione Shakespeariana nei Sonetti Alla Dama Bruna, Passignano Sul Trasimeno (by Cristiano Ragni) |
171-173 |
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Pilar Cuder-Domínguez, ed. 2014. Genre in English Literature, 1650-1700: Transitions in Drama and Fiction (by Jonathan P. A. Sell) |
175-180 |
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Andy Kesson. 2014. John Lyly and Early Modern Authorship (by Jonathan P. A. Sell) |
181-187 |
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Philip Lorenz. 2013. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama (by Víctor Huertas) |
189-194 |
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Laura Martínez-García. 2014. Seventeenth- and Eighteenth Century English Comedies as a New Kind of Drama (by Jorge Figeroa Dorrego) |
195-200 |
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Ángel-Luis Pujante, Juan F. Cerdá, eds. 2014. Shakespeare en España: Bibliografía anotada bilingüe / Shakespeare in Spain: an Annotated Bilingual Bibliography (by Rui Carvalho Homem) |
201-205 |
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Miguel Ramalhete Gomes. 2014. Texts Waiting for History: William Shakespeare re-imagined by Heine Müller (by Francesca Rayner) |
207-211 |
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Richards, Cynthia & Mary Ann O’Donnell eds. 2014. Approaches to Teaching Behn’s Oroonoko (by Ángeles Tomé Rosales) |
213-217 |
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