Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789
REVIEWS | Pag. | |
---|---|---|
Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell) | 183-88 | |
Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner) | 189-93 | |
Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell) | 194-98 | |
Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez) | 199-204 | |
Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas) | 205-210 | |
José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello) | 211-15 | |
Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch) | 216-20 | |
Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago) | 221-26 | |
Sónia Baptista, I Call Her Will (by Francesca Rayne) | 227-29 |