Sederi 35
Sederi 35 — 2025
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
PRODUCTION EDITOR
David J. Amelang
ISSN 1135-7789
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| ARTICLES |
Pag. |
|
| Isabel de la Cruz Cabanillas / Irene Diego Rodríguez. Astrologia Ypocratis and its vernacular early modern afterlives | 11-28 | |
| Tommi Dunderlin. A restless play of affective infections: Gendered spherology in Love’s Labour’s Lost | 29-50 |
|
| Susana Flor. Was Queen Catherine of Braganza a collector? Collecting, displaying, consuming in Bemposta, Lisbon | 51-75 | |
| Andrew Hadfield. Al-Hassan Muhammad al-Wazzan and John Pory: Race and the dawn of the British Empire | 77-100 | |
| REVIEWS |
Pag. |
|
| Catherine Bates, The Oxford Handbook of Philip Sidney (by Jonathan P. A. Sell) |
103-107 |
|
| John Crowne, El galán casado, o el curioso impertinente (by Raquel Serrano González) |
109-112 |
|
| Aneta Mancewicz, Hamlet After Deconstruction (by Francesca Rayner) |
113-115 |
|
| María José Mora / Manuel J. Gómez Lara, eds., Thomas Durfey’s Love for Money, or The Boarding School (1691). A Critical Edition — Eneas Caro Partridge, ed., Edward Ravenscroft’s Mamamouchi, or The Citizen Turned Gentleman (1672). A Critical Edition (by Sonia Villegas López) |
117-121 |
|
| Sonia Villegas-López, editor and translator, Cartas Sociables (by Sergio Marín-Conejo) |
123-127 |
|
| INTERVIEWS |
Pag. |
|
| Ariel (2025), directed by Lois Patiño, a Shakespearean Filmic Metatext for the Twenty-First Century: An Inter(Re)view (by Jorge Luis Bueno Alonso) |
131-167 |
|
