| Díaz Santiago, Mª Victoria. The necromancer Friar Bacon in the magic world of Greene’s comedyFriar Bacon and Friar Bungay |
5-26 |
|
| Fernández Rodríguez, Carmen María. Frail patriarchy and the authority of the repressed in William Shakespeare’s Measure for Measure |
27-43 |
|
| Matuska, Ágnes. “Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays |
45-59 |
|
| Ribes Trave, Purificación. Stefan Zweig’s Volpone, eine lieblose Komödie: a reassessment |
61-80 |
|
| Rodríguez Rodríguez, Beatriz Mª. David Rowland’s Lazarillo de Tormes (1586): analysis of expansions in an Elizabethan translation |
81-96 |
|
| Ruano García, F. Javier. North-East Yorkshire speech in the late seventeenth century: a phonological orthographical evaluation of an anonymous printed broadside |
97-119 |
|
| Sell, Jonathan P.A.. Vulgar poesy and the music of disorder in The Tempest |
121-145 |
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| Taylor, Gary. Historicism, presentism and time: Middleton’s The Spanish Gypsy and A Game at Chess |
147-170 |
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