| Preliminaries |
1-5 |
|
| Aguirre, Manuel: Repetition Metaphor and Conceit in the Renaissance |
5-10 |
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| Campbell, Gordon: Milton and The Languages of the Renaissance |
11-21 |
|
| Conejo Fort, María Ángeles: In and Out of the Bird-Cage: The Language of Confinement in the Duchess of Malfi |
23-30 |
|
| Expósito González, María de la Cruz : Relativization and Register: a Seventeenth Century Survey |
31-40 |
|
| Galván Reula, Fernando: «I am not I, Pitie the Tale of Me»: Reading and Writing (in) Astrophil and Stella |
41-62 |
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| Garcés García, Pilar: The Place of Man in the Chains of Being According to Sidney’s Defence of Poesie |
63-68 |
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| Gregor, Kreith: Narrative and its Representation in Othello |
69-75 |
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| Guerra Bosch, Teresa: Some Analogies in La Celestina and Troilus and Cresida |
77-86 |
|
| Healy, Thomas: Marlowe and the Drama of Protestant sexuality |
87-102 |
|
| López-Peláez, Jesús: Tragedy & Shared-Guilt: A Comparative Approach to Othello y El Pintor de su deshonra |
103-110 |
|
| López-Peláez, María Paz: El laúd en el Renacimiento inglés |
111-119 |
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| Martínez López, Miguel: Renaissance Visions of Paradise: Ancient Religious Sources of Thomas More’s The Best State of a Commonwealth and the New Island of Utopia |
121-132 |
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| Martínez Lorente, Joaquín: “More’s Utopia ” or “Utopia’s Utopias ?”: How to handle textual and generic doubling |
133-142 |
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| Mele Marrero, Margarita: Cony Catchers and cazadores de gatos: An Examination of the Lexis Related to Thieves and Swindlers in England and Spain in the 16th and 17th Centuries |
143-153 |
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| Monnickendam, Andrew: The Poet and the Bard |
155-164 |
|
| Muñoz Valivieso, Sofía: Northrop Frye’s Critical Approach to Shakespeare’s Last Plays |
165-172 |
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| Murillo Murillo, Ana María: Redefining Characters in Translation: A Case |
173-179 |
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| Olivera Villacampa, Macario: The Book Of Common Prayer: Its Making and Language |
181-190 |
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| Sáez González, Rosa: Masks and Characters in The Merchant of Venice and Los intereses creados |
191-202 |
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| Sánchez Escribano, F. Javier: Tamburlaine, the Scourge of God: Mexia, Marlowe and Vélez de Guevara |
203-215 |
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| Sastre Colino, Concha: The Romance in Shakespeare: Romeo and Juliet and The Tempest |
217-228 |
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| Shepherd, Robert K.: Criseyde/Creseid/Creseida: What’s in a name? |
229-236 |
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| Sinfield, Alan: Dissident Reading : Summary |
237-242 |
|
| Tejera Llano, Dionisia: Dr. Faustus and D. Juan: Two Baroque Heroes |
243-250 |
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| Uhlig, Claus: Remarks on the Chronology of Transition: Renaissance-Mannerism-Baroque |
251-271 |
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| Verdaguer, Isabel: Problems in Translating Guzmán de Alfarache into English |
273-279 |
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| Sánchez Escribano, F. Javier: Who’s who in SEDERI (1993) |
281-305 |
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