Manel Bellmunt-Serrano, “Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation.” SEDERI 29 (2019): 11–33. DOI: https://doi.org/10.34136/sederi.2019.1 Download PDF Abstract This article tries to […]
Autor: sederi
Sederi 29
Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789
| REVIEWS | Pag. | |
|---|---|---|
| Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell) | 183-88 | |
| Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner) | 189-93 | |
| Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell) | 194-98 | |
| Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez) | 199-204 | |
| Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas) | 205-210 | |
| José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello) | 211-15 | |
| Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch) | 216-20 | |
| Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago) | 221-26 | |
| Sónia Baptista, I Call Her Will (by Francesca Rayne) | 227-29 |
Sederi Yearbook 28
Violetta Trofimova, “First Encounters of Europeans and Africans with Native Americans in Aphra Behn’s Oroonoko: white woman, black prince and noble savages.” SEDERI 28 (2018): 119–28. DOI: https://doi.org/10.34136/sederi.2018.6 […]
Sederi Yearbook 28
Schintu, Paula. ““The gully-hole of literature”: On the enregisterment of cant language in seventeenth-century England.” SEDERI 28 (2018): 99–117. DOI: https://doi.org/10.34136/sederi.2018.5 Download PDF […]
Sederi Yearbook 28
Zümre Gizem Yılmaz,“’The sweet fruition of an earthly crown’: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus.” SEDERI 28 (2018): 79–96. DOI: https://doi.org/10.34136/sederi.2018.4 […]
Sederi Yearbook 28
Margarete Rubik, “The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford.” SEDERI 28 (2018): 55–78. DOI: https://doi.org/10.34136/sederi.2018.3 […]
Sederi Yearbook 28
Tomás Monterrey, “El príncipe tirano by Juan de la Cueva as the Spanish source of Thomas Lodge’s A Margarite of America: A comparative suggestion.” SEDERI 28 (2018): 33–53. DOI: https://doi.org/10.34136/sederi.2018.2 […]
Sederi Yearbook 28
William C. Carroll, “’I knew him in Padua’: London theatre and early modern constructions of erudition.” SEDERI 28 (2018): 7–32. DOI: https://doi.org/10.34136/sederi.2018.1 Download PDF Abstract This […]
Sederi 28
Sederi 28
Sederi 28 — 2018
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789
