| Shaw, Patricia. Ale-wives, Old wives, Widows and Witches: The Older Woman in English Renaissance Literature |
9-35 |
|
| Olivera, Macario. The Birth of the Bible in English |
37-43 |
|
| Suárez, Socorro y Tazón E., Juan. Platonism and Love in Sir Walter Raleigh’s life and works |
45-53 |
|
| Fernández, Santiago. Platonism and Love in Spenser’s minor poetry |
55-70 |
|
| Chamosa, J. Luis. Poetry translated from the Spanish: The case of England’s Helicon |
71-82 |
|
| Floren, Celia. Some aspects of rhyme and suffixation in The Rape of Lucrece |
83-93 |
|
| González, J. M.. Political Strategies of Drama in Renaissance England |
94-104 |
|
| Martínez, Miguel. The Philosophy of Death in Ch. Marlowe’s Dr. Faustus |
105-122 |
|
| Dañobeitia, M. Luisa. Duplication and Emulation in King Lear |
123-137 |
|
| Sánchez, Javier. English translations from the Spanish through French in the 17th century |
139-156 |
|
| Murillo, Ana. The Spanish Jilt: the first English version of La Pícara Justina |
157-177 |
|
| Monnickendam, Andrew. Paradise Lost as a novel |
179-190 |
|
| Mairal, Ricardo. The Semantic Field of “Light” and “Darkness” in Paradise Lost |
191-209 |
|
| López, Blanca. Sir William D’Avenant’s so-called improvements of Macbeth |
211-222 |
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| Ungerer, Gustav. Thomas Shadwell’s The Libertine: A forgotten Restoration Don Juan Play |
223-240 |
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