Borot, Luc. Early Journalism in Sixteenth- and Seventeeth-Century England: The Interface between Literature and «Popular Culture» |
41-58 |
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Ungerer, Gustav. Juan Pantoja de la Cruz and the Circulation of Gifts Between the English and Spanish Courts in 1604/5 |
59-78 |
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Cuder Domínguez, Pilar. «In Stella’s face I read»: Stella as Palimpsest in Sidney’s Sonnet Sequence |
79-84 |
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Hernández Santano, Sonia. Corrupted Platonism in Astrophil and Stella: The Expression of Desire |
85-90 |
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Cora Alonso, Jesús. Donne’s Holy Sonnet I and Alciato’s Emblem CXXI |
91-122 |
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Pando Cantelli, María J. Sonnets, Rooms, Tears and Books: the Poetics of Physical Spaces in Donne’s Love Poetry |
123-128 |
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Prieto Pablos, Juan Antonio. John Donne’s Rhetoric of Suspension |
129-134 |
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Ribes Triver, Purificación. Religious Struggle in John Donne and Ausiàs March |
135-148 |
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Carvalho Homem, Rui. Difficult Ancestors: Modern Irish Poets and their Elizabethan Predecessors |
149-158 |
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Relvas, María Jesús. Baltasar Gracián and the Ethics of the Renaissance |
159-162 |
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Curbet, Joan. «Changeling love»: The Function of Cupid in Fulke Greville’s Caelica |
163-170 |
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Flotats, Rosa. Three and its Content: Thought, Hope, Poetry in Milton |
171-178 |
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Sáez Hidalgo, Ana. The Romantic Robert Burton or the Art of Forgery |
1179-188 |
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Stone, John. A Gardenist Reading of Andrew Marvell’s «Upon Appleton House» |
189-202 |
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López-Peláez Casellas, Jesús. The Enemy Within: Otherness in T. Dekker’s Lust’s Dominion |
203-208 |
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Vélez Núñez, Rafael. The Poetical Mind in Ben Jonson’s Masques |
209-214 |
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