| Contents and Editors’ Foreword |
7-8 |
|
| BLAKE, N.F. «The Study of Shakespeare’s Language: Its Implications for Editors, Critics and Translators» |
11-30 |
|
| DE LA CRUZ CABANILLAS, ISABEL. «Lexical Ambiguity and Wordplay in Shakespeare» |
31-36 |
|
| GUZMÁN GONZÁLEZ, TRINIDAD. «Gender, Grammar and Poetry: Early 17th-Century Miscellanies in the Light of Historical Sociolinguistics» |
37-46 |
|
| O’ NEILL, MARÍA. «Strategies of Rebuttal in the Spelling Reform Debate: An Analysis of Richard Mulcaster’s Denunciation of the Phonemic Reformers» |
47-52 |
|
| SÁNCHEZ ROURA, MARÍA TERESA. «Epistolary Formulae in Late Middle English Commercial Correspondence: the Cely Letters» |
53-60 |
|
| VERDAGUER, ISABEL. «English Verbs of Intellectual Activity in the Renaissance: A Cognitive Approach» |
61-66 |
|
| HOENSELAARS, TON. «The Seventeenth-Century Reception of English Renaissance Drama in Europe» |
69-88 |
|
| CASANOVA, JORGE. «Robert Burton’s Portrait ‘Philosophically, Medicinally and Historically’ Supported» |
89-96 |
|
| CUDER DOMÍNGUEZ, PILAR. «Merry Wives and Widows in Aphra Behn’s Later Comedies» |
97-104 |
|
| FIGUEROA DORREGO, JORGE. «Men’s Inconstancy in the Prose Fiction of Mary Wroth and María de Zayas» |
105-110 |
|
| MONNICKENDAM, ANDREW. «The Meerie Lawes of 1646: The Parliament of Women as Lampoon and Subversion» |
111-120 |
|
| STONE, JOHN. «John Cowell’s Interpreter: Legal Tradition and Lexicographical Innovation» |
121-130 |
|
| GARCÍA GARCÍA, LUCÍANO. «Towards a Definition of European Tragicomedy and Romantic Comedy of the Seventeenth Century: The Courtly Fashion in England and Spain» |
131-140 |
|
| PARDO GARCÍA, PEDRO JAVIER. «Parody, Satire and Quixotism in Beaumont’s The Knight of the Burning Pestle» |
141-152 |
|
| MEIRA SERRAS, ADELAIDE. «The Will to Reform. Milton’s and Verney’s Educational Projects» |
153-158 |
|
| VÉLEZ NÚÑEZ, RAFAEL. «Music Symbolism in Stuart Pageantry» |
159-164 |
|
| WHITLOCK, KEITH. «Shakespeare’s The Tempest: Some Thought Experiments» |
167-184 |
|
| ÁLVAREZ FAEDO, MARÍA JOSÉ. «Two Film Versions of Othello: A Twentieth-century Approach to Shakespeare’s Play» |
185-193 |
|
| CARVALHO HOMEM, RUI. «Of Power and Race and Sex – with due respect: on some Portuguese translations of Othello» |
194-204 |
|
| CEREZO MORENO, MARTA. «The Controlling Force of Rome in Coriolanus and Julius Caesar» |
205-210 |
|
| HIDALGO, JUAN CARLOS. «The Split ‘I’ in Celestino Coronado’s Hamlet» |
211-216 |
|
| FIUEIRÒA NAVARRO MACHADO, MARIA SALOMÉ. «The Sins of the Fathers: Marlowe’s Barabas and Shakespeare’s Shylock» |
217-224 |
|
| OLIVARES MERINO, EUGENIO. «The Fismonger’s Daughter Goes Crazy (I): the Domineering Father, the Mad Lover, and the Dead Mother» |
225-238 |
|
| SÁNCHEZ ESCRIBANO, F. JAVIER. «English Renaissance Studies in Spain: A Bibliography up to 1995» |
241-304 |
|
