“Editors’ Foreword” |
iii |
|
Borge, Francisco J. “Richard Hakluyt, promoter of the New World : the navigational origins of the English nation” |
1-9 |
|
Calbi, Maurizio. “‘Civil Monsters’: race, eroticism and the body in early modern literature and culture” |
11-21 |
|
Campillo Arnáiz, Laura. “Spanish translations of culture-bound elements in The First Part of Henry IV : a historical perspective” |
23-31 |
|
Cougil Álvarez, Rosa María & Ana I. González Cruz. “On the development of deverbal conjunctions. A case study on the grammaticalisation of provided (that) in early Modern English” |
33-44 |
|
Domínguez Romero, Elena. “Thomas Morley’s First Book of Madrigals to Four Voices . A Pastoral Romance” |
45-53 |
|
Drakakis, John. “Jews, bastards, and black rams (and women): representations of ‘otherness’ in Shakespearean texts” |
55-75 |
|
Gómez, Carlos J. “Farcical innocuousness versus morality and satire in the comedies of Thomas Durfey” |
77-86 |
|
González Díaz, Victorina. “Adjective comparison in Renaissance English” |
87-100 |
|
Griffiths, Jane. “The matter of invention in Hawes’ Passetyme of Pleasure ” |
101-110 |
|
Karremann, Isabel. “One and one is two, three is potency: the dynamics of the erotic triangle in Othello ” |
111-121 |
|
Nevalainen, Terttu. “Sociolinguistic perspectives on Tudor English” |
123-140 |
|
Núñez Pertejo, Paloma. “Adjectival participles or present participles? On the classification of some dubious examples from the Helsinki Corpus” |
141-153 |
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Pando Canteli, María J. “‘… and often Absences / Withdrew our Soules and made us Carcasses.’ The destructive power of the female figure in Donne’s Nocturnall and Quevedo’s love poetry” |
155-162 |
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Pearson, Jacqueline. “The least certain of boundaries: gendered bodies and gendered spaces in Early Modern drama” |
163-181 |
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Relvas, María Jesús. “The literary construction of a monstruous portrait – King Richard III by Thomas More and William Shakespeare” |
183-189 |
|
Ribeiro, Nuno Manuel Dias Pinto. “The Second Coming: prophecy and utopian thought in John Milton (1608-74) and António Vieira (1608-97)” |
191-198 |
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Shea, Colleen. “‘The truest glass’: Ben Jonson’s verse epistles and the construction of the ideal patron” |
199-208 |
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Tiburi, Marcia. “Saturn’s body: melancholy and method in the Anatomy of Melancholy ” |
209-218 |
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Vélez Núñez, Rafael. “Melancholic sounds: singing madness in Restoration drama” |
219-227 |
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Villegas López, Sonia. “Narrative levels in The Inhumane Cardinal (1696) by Mary Pix” |
229-236 |
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