| Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes) |
141-44 |
|
| Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell) |
145-50 |
|
| Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido) |
151-55 |
|
| María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López) |
157-62 |
|
| Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín) |
163-67 |
|
| Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez) |
169-76 |
|
| Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch) |
177-81 |
|
