| Kate Aughterson and Ailsa Grant Ferguson, Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama (by Jennifer Ruiz Morgan) |
161-65 |
|
| Sophie Chiari & Sophie Lemercier-Goddard, eds. John Webster’s “Dismal Tragedy”: The Duchess of Malfi Reconsidered (by Mª Jesús Pérez Jáuregui) |
166-70 |
|
| Jennifer Drouin, ed. Shakespeare / Sex: Contemporary Readings in Gender and Sexuality (by Francesca Rayner) |
171-73 |
|
| White Kennet, Etymological Collections of English Words, edited by Javier Ruano-García (by Christopher Langmuir) |
174-77 |
|
| Irene Montori, Milton, the Sublime and Dramas of Choice: Figures of Heroic and Literary Virtue (by Jonathan Sell) |
178-82 |
|
| Ángel-Luis Pujante and Keith Gregor, eds. Otelo en España. La versión neoclásica y las obras relacionadas (by Jesús López-Peláez Casellas) |
183-87 |
|
| Rocío G. Sumillera. Invention: The Language of English Renaissance Poetics (by Jonathan Sell) |
188-91 |
|
| Rémi Vuillemin, Laetitia Sansonetti and Enrica Zanin, eds. The early modern English sonnet. Ever in motion (by María Vera Reyes) |
192-96 |
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