Autor: sederi

Cristina Paravano, “’Remembrance of things past’: Classical and Renaissance echoes in Philip Massinger’s The Roman Actor.” SEDERI 32 (2022): 87‒110 DOI: https://doi.org/10.34136/sederi.2022.4                                                         Download PDF Abstract This essay discusses Philip […]

Antonio Espigares Pinilla and Renae Satterley, “The three manuscript copies of Robert Ashley’s Of Honour and Sebastián Fox Morcillo’s De honore. Study of a translation plagiarism.” SEDERI 32 (2022): 31‒65 DOI: https://doi.org/10.34136/sederi.2022.2                                                  […]

Víctor Fernández Fernández, “Guzmán de Silva and Elizabeth I: A diplomacy of emotion.” SEDERI 32 (2022): 67−86 DOI: https://doi.org/10.34136/sederi.2022.3                                                         Download PDF Abstract The Spanish resident ambassadors at the Court […]

María José Coperías-Aguilar, “Between fictionality and reality: The ‘novels’ in the Gentleman’s Journal.” SEDERI 32 (2022): 9‒29 DOI: https://doi.org/10.34136/sederi.2022.1                                                         Download PDF Abstract The Gentleman’s Journal (1692–1694), generally acknowledged as […]

  Laura Martínez-García, “Nelly or Ellen? Revamping the first English actresses in contemporary popular culture.” SEDERI 27 (2017): 213–228.   DOI: https://doi.org/10.34136/sederi.2017.10                                                     Download PDF   Abstract The first British actresses have […]

  Cristina Bravo Lozano,  “Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644).” SEDERI 27 (2017): 195–211.   DOI: https://doi.org/10.34136/sederi.2017.9                                                     Download PDF   Abstract The […]

  Juan de Dios Torralbo Caballero, “‘For know, alas, I’m dumb, alas I love’: Rhetoric of disability, female agency and tragedy in ‘The Dumb Virgin’.” SEDERI 27 (2017): 167–192.   DOI: https://doi.org/10.34136/sederi.2017.8                                                  […]

  Valerie Schutte, “Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor.” SEDERI 27 (2017): 149–166.   DOI: https://doi.org/10.34136/sederi.2017.7                                                     Download PDF   Abstract Comparisons of […]

Madalina Nicolaescu, “Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice.” SEDERI 27 (2017): 129–148. DOI: https://doi.org/10.34136/sederi.2017.6                                                     Download PDF Abstract Shakespeare was introduced into […]