Issues

Sederi 17

Publicado en por sederi

Sederi 17
Sederi 17 — 2007
EDITORS
Jorge Figueroa Dorrego
Clara Calvo López
Javier Sánchez Díez
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Coral Escolá, Jordi. Seneca, what Seneca? The Chorus in The Spanish Tragedy 5-26
Cuder Domínguez, Pilar. Re-crafting the heroic, constructing a female hero: Margaret Cavendish and Aphra Behn 27-45
Culpeper, Jonathan. A new kind of dictionary for Shakespeare’s plays: an immodest proposal 47-73
Olivares Merino, Eugenio. Mary Roper Clarke Bassett and Meredith Hanmer’s Honorable Ladie of the Lande 75-91
Queiroz de Barros, Rita. Spelling standardisation in Shakespeare’s first editions: evidence from the Second Quarto and First Folio versions of Romeo and Juliet 93-108
Ruano García, F. Javier. Thou’rt a strange Fillie: a possible source for ‘y-tensing’ in seventeenth-century Lancashire dialect? 109-127

NOTE Pag.        
Monterrey , Tomás. Thomas Lodge’s Rosalynde and the Canary Islands 131-140

REVIEWS Pag.        
Borge, Francisco J. Sell, Jonathan P. A. 2006. Rhetoric and Wonder in English Travel Writing , 1560-1613 143-147
Casas Guijarro, Manuel. Teatre Lliure 2005. Ricardo 3º . Adapted and directed by Alex Rigola. Performed by Pere Arquillué 149-154
Cerdá Martínez, Juan Francisco. Fernie, Ewan, Ramona Wray, Mark Thornton Burnett and Clare Macmanus eds. 2005. Reconceiving the Renaissance:A Critical Reader 155-160

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Sederi 16

Publicado en por sederi

Sederi 16
Sederi 16 — 2006
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Adamson, Silvia. Deixis and the renaissance art of self-construction 5-29
Maguire, Laurie. Helen of Troy : representing absolute beauty in language 31-51
Monrós Gaspar, Laura: “Boscovos tromuldo boscovos”: a case study in the translation of William Shakespeare’s All’s well that Ends Well 53-70
Da Cunha Resende, Aimara: “Here’s sport indeed!”: interchangeable voices and mass communication in renaissance England 71-90
Ribes, Purificación: Country viwes and country girls in eighteenth-century England . A history of theatrical rewriting 91-108
Sánchez Escribano, F. Javier Portuguese in England in the sixteenth and seventeenth centuries 109-132

NOTES Pag.        
Bueno Alonso, Jorge Luis. Two Spanish renderings of Philip Sidney’s “First Song” from Astrophil & Stella (1591): a reappraisal and a new proposal 135-151
Cranmer, David. English music in the library of king Joao IV of Portugal 153-160
De Pando Mena, Paula: Emasculated subjects and subjugated wives: discourses of domination in John Bank’s Vertue Bretay’d (1682) 161-175

REVIEWS Pag.        
Bueno Alonso, Jorge Luis. A concise companion to Shakespeare on screen , ed. by Diana E. Henderson 179-188
Hoenselaars, Ton. Renaissance and Reformations: an introduction to early modern literature , by Michael Hattaway 189-193
Hoenselaars, Ton. Shakespeare on screen: “ Richard III ”, ed. by Sarah Hatchuel & Nathalie Vienne-Guerrin 195-198
Mora, María José. The Libertine , dir. Laurence Dunmore 199-204
Sáez Hidalgo , Ana. Gloriana’s Rule: Literature, Religion and Power in the Age of Elizabeth , ed. by Rui Carvalho Homen & Fátima Vieira 205-210

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Sederi 15

Publicado en por sederi

Sederi 15
Sederi — 2005
EDITORS
Jorge Figueroa Borrego
Clara Calvo López
Javier Pérez Guerra
ISSN 1135-7789

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Contents

ARTICLES Pag.        
Castro Carracedo, Juan. “To lerne you to dye when ye wyll”: John Skelton and the Ars Moriendi tradition” 5-21
Fanego, Teresa. “Fare thee well, dame”: Shakespeare’s forms of address and their socio-affective role 23-42
Muñoz Valdivieso, Sofía. Postmodern recreations of the Renaissance: Robert Nye’s fictional biographies of William Shakespeare 43-62
Portillo, Rafael. Staging Restoration dramas: practical aspects of their performance 63-80
Ribes Traver, Purificación. Araquistáin’s 1929 version of Volpone 81-100

NOTES Pag.        
Gómez Lara, Manuel J. Ambiguous devices: the use of dramatic emblems in Marlowe’s Edward II (1592) 103-113
Mora, María José. The political is personal: the attack on Shadwell in Sir Barnaby Whigg 115-128
Pujante, Angel Luis & Keith Gregor. The four neoclassical Spanish Hamlets: assimilation and revision 129-141

REVIEWS Pag.        
Prieto Pablos, Juan Antonio. Cerezo, Marta. 2005: Critical Approaches to Shakespeare: Shakespeare for All Tim 145-150
Mora, María José. Eyre, Richard (dir.) 2004: Stage Beauty. Screenplay by Jeffrey Hatcher. Performed by Billy Crudup and Claire Danes 151-156
Loureiro Porto, Lucía. Hart, David (ed.) 2003: English Modality in Context. Diachronic Perspectives 157-161
De Pando Mena, Paula. Luis-Martínez, Zenón and Jorge Figueroa-Dorrego (eds.) 2003: Re-shaping the Genres. Restoration Women Writers 162-167

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Sederi 14

Publicado en por sederi

Sederi 14
Universidad de Jaén
2004
ISSN 1135-7789

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Contents

Pag.        
Contents & Editors’ Forewords i

ARTICLES Pag.        
Castro Carracedo, Juan. Pium Vestrus Catullum Britannum: The Influence of Catullus’ Poetry on John Skelton. 3
Cora Alonso, Jesús. “This dream is all amiss interpreted”: Julius Caesar, Shakespeare’s Alchemical Tragedy. 17
Demetriou, Eroulla. Michael Du Val and Count Gondomar: an Approximation towards the Authorship of The Spanish-English Rose Or The English-Spanish Pomgranet (c. 1623). 53
George, J.-A. “A pestelaunce on the crabyd queane”: The Hybrid Nature of John Pikeryng’s Horestes. 65
Jowett, John. Timon and Mining. 77
López-Peláez Casellas, Jesús. The Neo-Stoic Revival in English Literature of the Sixteenth and Seventeenth Centuries: An Approach. 93
Shorrocks, Graham. The Rev. William Hutton’s A Bran New Wark: The Westmorland Dialect in the Late Early-Modern Period. 117
Talvet, Jüri. Between Dreams and Reality: The Message and the Image of Renaissance Humanism. 137
Whitlock, Keith. The Robert Ashley Founding Bequest to the Middle Temple Library and John Donne’s Library. 153

NOTES Pag.        
Abrahams, Eileen. “I Nothing know”: Emilia’s Rhetoric of Self-Resistance in Othello. 179
Agrafojo Blanco, Héctor. The Rise of Modal Meanings in Early Modern English: the case of the Semi-Auxiliary Verb BE supposed to. 189
Domínguez Romero, Elena. Some Considerations on the Pastourelle in Shakespeare’s As You Like It. 199
González Campos, Miguel Ángel . The Portrayal of Treason in The Tempest: The Fourfold Role of a Machiavellian Duke. 207
Loureiro Porto, Lucía. A Corpus-Based Approach to eModE have need. 217
Mesa Villar, José María. Musings from Ophelia’s Watery Voyage: Images of Female Submission in Shakespeare’s and Millais’ Drowning Maiden. 227
Villegas López, Sonia. Aphra Behn’s Sentimental History: The Case Study of Agnes de Castro, or the Force of Generous Love (1688). 239

REVIEWS Pag.        
Bueno Alonso, Jorge Luis. Richard Dutton and Jean E. Howard, eds. 2003: A Companion to Shakespeare’s Works. 249
Figueroa Dórrego, Jorge. Joseph Arrowsmith. 2003: The Reformation. Edited by Juan A. Prieto-Pablos, María José Mora, Manuel J. Gómez-Lara and Rafael Portillo. 265
Machado, María Salomé. Reading Jorge Figueroa Dorrego’s Tecendo tramas, fiando ficcións: Narrativa inglesa de autoria feminina (1621-1688). 271
Prieto Pablos, Juan A. Ángel Luis Pujante and Ton Hoenselaars, eds. 2003: Four Hundred Years of Shakespeare in Europe. 273

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Sederi 13

Publicado en por sederi

Sederi 13
Universidade de Vigo
2003
ISSN 1135-7789 / ISBN 84-158-234-4

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Contents

Pag.        
“Editors’ Foreword” iii
Borge, Francisco J. “Richard Hakluyt, promoter of the New World : the navigational origins of the English nation” 1-9
Calbi, Maurizio. “‘Civil Monsters’: race, eroticism and the body in early modern literature and culture” 11-21
Campillo Arnáiz, Laura. “Spanish translations of culture-bound elements in The First Part of Henry IV : a historical perspective” 23-31
Cougil Álvarez, Rosa María & Ana I. González Cruz. “On the development of deverbal conjunctions. A case study on the grammaticalisation of provided (that) in early Modern English” 33-44
Domínguez Romero, Elena. “Thomas Morley’s First Book of Madrigals to Four Voices . A Pastoral Romance” 45-53
Drakakis, John. “Jews, bastards, and black rams (and women): representations of ‘otherness’ in Shakespearean texts” 55-75
Gómez, Carlos J. “Farcical innocuousness versus morality and satire in the comedies of Thomas Durfey” 77-86
González Díaz, Victorina. “Adjective comparison in Renaissance English” 87-100
Griffiths, Jane. “The matter of invention in Hawes’ Passetyme of Pleasure ” 101-110
Karremann, Isabel. “One and one is two, three is potency: the dynamics of the erotic triangle in Othello ” 111-121
Nevalainen, Terttu. “Sociolinguistic perspectives on Tudor English” 123-140
Núñez Pertejo, Paloma. “Adjectival participles or present participles? On the classification of some dubious examples from the Helsinki Corpus” 141-153
Pando Canteli, María J. “‘… and often Absences / Withdrew our Soules and made us Carcasses.’ The destructive power of the female figure in Donne’s Nocturnall and Quevedo’s love poetry” 155-162
Pearson, Jacqueline. “The least certain of boundaries: gendered bodies and gendered spaces in Early Modern drama” 163-181
Relvas, María Jesús. “The literary construction of a monstruous portrait – King Richard III by Thomas More and William Shakespeare” 183-189
Ribeiro, Nuno Manuel Dias Pinto. “The Second Coming: prophecy and utopian thought in John Milton (1608-74) and António Vieira (1608-97)” 191-198
Shea, Colleen. “‘The truest glass’: Ben Jonson’s verse epistles and the construction of the ideal patron” 199-208
Tiburi, Marcia. “Saturn’s body: melancholy and method in the Anatomy of Melancholy ” 209-218
Vélez Núñez, Rafael. “Melancholic sounds: singing madness in Restoration drama” 219-227
Villegas López, Sonia. “Narrative levels in The Inhumane Cardinal (1696) by Mary Pix” 229-236

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Sederi 12

Publicado en por sederi

Sederi 12
Universidad de Valladolid
2002
ISSN 1135-7789 / ISBN 84-8448-134-4

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Contents

Pag.        
Preliminaries 1-8
Clark, Sandra. “Deeds Against Nature: Women and Crime in Street Literature of Early Modern England ” 9-30
Hammond, Gerald. “Mary Sidney’s Psalms and the Uses of History” 31-50
Hidalgo , Pilar. “On Reading Harold Bloom’s Shakespeare: The Invention of the Human” 51-68
Vickers, Brian, “Jakob Burkhardt’s Idea of the Renaissance” 69-95
Alvarez-Recio, Leticia. “An Approach to the Emblematic Tradition in 17th Century Anti-Catholic Pamphlets” 97-105
Beagles, Martin. “Hidden Spanish Treasure in a Seventeenth-Century Text: The Strange Case of Dr García and Mr Howell” 107-121
Bromber, Robert, “The Liar and the Bard: David Ingram, William Shakespeare, and The Tempes t” 123-133
Cano Echevarría, Berta & Mª Eugenia Perojo Arronte. “Astrophil and Stella: An Unprofitable Relationship?” 135-141
Casanova, Jorge. “‘Before Words’: Seeing and Privacy in Renaissance Poetry” 143-150
Cora, Jesús. “Sleepe fy possess mee nott”: The Return of the Repressed in Lady Mary Wroth’s Pamphilia to Amphilanthus (1621), Sonnets 16 and 17” 151-179
Chu , Hsiang-chun. “‘The master mistress of my passion’: Cross-dressing and Gender Performance in Twelfth Night ” 181-191
Domínguez Romero, Elena. “‘Between the pale complexion of true love, and the red glow of scorn’: Traditions of Pastoral Love in As You Like It ” 193-200
Figueroa, Jorge. “Having ‘To Bear the Yoke’: Women and Jest-Books of the Early Seventeenth Century” 201-208
García-Bermejo Giner, Mª Fuencisla. “Regional dialects in Sixteenth-century Jest-Books” 209-228
González Campos, Miguel Angel. “An Effeminate Prince”: Gender Construction in Shakespeare’s First Tetralogy” 229-235
Gregor, Keith & Encarna Vidal Rodríguez. “The ‘Other’ William and the Question of Authority in Spanish Stage Depictions of Shakespeare” 237-246
Harrington, Gary . “‘When the Battle’s Lost and Won’: The Opening of Shakespeare’s 1 Henry IV ” 247-257
Hernández Santano, Sonia: “Marston’s The Metamorphosis of Pigmalion’s Image : The Ovidian myth revisited” 259-268
Hughes, Derek. “Human Sacrifice and Seventeenth-century Economics: Otway’s Venice Preserv’d ” 269-279
Kottman, Paul. “ Macbeth and the Ghosts of Sovereignty” 281-300
O’Neill, Maria. “John Hart’s Discourse on Spelling Reform : Disease and War in the Body Politic” 301-311
Rodríguez Gómez, Paula. “ Macbeth ‘s Portrait Of Câd Goddeu. Encounters With The Celtic World” 313-321
Serras, Adelaida. “Dystopian Female Images in More’s Utopia ” 323-330
Stone, John. “The Law of Contract in Ferdinando Parkhurst’s Ignoramus, the Academical-Lawyer ” 331-340
Zunino Garrido, Cinta: “Rhetoric and Truth in The Spanish Tragedy ” 341-348

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Sederi 11

Publicado en por sederi

Sederi 11
Universidad de Huelva
2002
ISSN 1135-7789

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Contents

Pag.        
Kiss, Attila. «The Body Semiotic in the Theatre» 13-23
Homem, Rui Carvalho. «Fleshly Voyages: Ben Jonson, Space and the Body» 25-41
Cano Echeverría, Berta y María Eugenia Perojo Arronte. «‘A Medicine of Cheries’: The Language of Profit in Sydney’s Defence of Poesie» 43-48
Casanova, Jorge. «Crashaw and the Emblem Revisited» 49-56
Domínguez Romero, Elena. «‘By Cruell Love Now Slaine’: Virgilian Structures and Themes in England’s Helicon» 59-65
Figueroa Dorrego, Jorge. «Wroth and Weamys: Two Different Approaches to Pastoral Romance, Love, and Gender» 67-73
Sáez Hidalgo, Ana. «The Spanish Connection of The Anatomy of Melancholy» 75-89
Zunino Garrido, Cinta. «Mycetes’ Rhetorical Failure in Christopher Marlowe’s Tamburlaine The Great» 91-97
Parker, Patricia. «What’s in a Name: And More» 101-149
Álvarez Faedo, María José. «Orson Welles’s Gothic Cinematic Approach to Shakespeare’sMacbeth» 151-159
Barneto Alanís, Alfonso. «‘Momentary grace’: the Platonic Undertones of Hastings’ Prophecy in Richard III» 161-168
Dawson, Janet. «Order and Disorder in Two Versions of Troilus and Cressida: The Case of Ulysses» 169-177
González Campos, Miguel Ángel. «“Had I/ not four or five women once that tended me?”: Paul Mazursky’s Version of Shakespeare’s Tempest» 179-184
Martínez, Zenón Luis. «True Looking-glasses: Narcissism and Motherhood in Shakespeare’s Sonnets» 185-194
Machado, María Salomé. «Defying Convention: the Verbalization of Eroticism in W. Shakespeare’s Othello and J. Donne’s Elegie XIX» 195-202
García-Bermejo Giner, María F. «The Language in Mary Rowlandson’s 1682 Captivity Narrative» 205-215
Gómez Lara, Manuel J. «Trotting to the Waters: Seventeenth Century Spas as Cultural Landscapes» 219-239
Arreciado Charlo, Victoria. «The Decline of the Monarch’s Prerogative: Banks and his Imitators» 241-245
Calero del Valle, María José. «The Ravished Heroine in Restoration Tragedy: Ibrahim the Thirteenth Emperor of the Turks and The Conquest of Spain» 247-253
Domínguez García, Beatriz. «The Search for Female Power in Catharine Trotter’s Agnes de Castro» 255-261
Meira Sierras, Adelaide. «Towards a Female Identity» 263-270
Pérez Vides, Auxiliadora. «Gender, Disguise and the Politics of Marriage in Ariadne’s She Ventures and He Wins» 271-276
Vélez Núñez, Rafael. «Transformations of courtly entertainments: Restoration odes» 277-283
Villegas López, Sonia. «Catharine Trotter’s Agnes de Castro, or the Revision of Female Virtue» 285-290
Álvarez Recio, Leticia. «An Approach to English Anti-Catholicism Through the Analysis of Some 17th Century Anti-Jesuitical Pamphlets» 293-300
Bromber, Robert. «Abandonados and Afortunados: The Prosecution of Corsarios by the Mexican Inquisition» 301-311
Carrillo Linares, María José. «The Days of the Moon: Science, Magic or Poetry?» 313-318
Curbet, Joan. «Dogma and the Limits of Heteroglossia in Sir Thomas More’s Dialogue Concerning Heresies (1528)» 319-329
Monnickendam, Andrew. «The Un-Merry Laws: Marriage, Widows and Adultery in Two 1656 Tracts» 331-341
Whitlock, Keith. «Folklore: opiate of the people or the social cement of middle England?» 343-355

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Sederi 10

Publicado en por sederi

Sederi 10
Editor:
María Fuencisla García-Bermejo Giner
Gudelia Rodríguez Sánchez
Javier Sánchez Díez
ISSN 1135-7789

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Contents

Pag.        
Contents and Editors’ Foreword 7-8
BLAKE, N.F. «The Study of Shakespeare’s Language: Its Implications for Editors, Critics and Translators» 11-30
DE LA CRUZ CABANILLAS, ISABEL. «Lexical Ambiguity and Wordplay in Shakespeare» 31-36
GUZMÁN GONZÁLEZ, TRINIDAD. «Gender, Grammar and Poetry: Early 17th-Century Miscellanies in the Light of Historical Sociolinguistics» 37-46
O’ NEILL, MARÍA. «Strategies of Rebuttal in the Spelling Reform Debate: An Analysis of Richard Mulcaster’s Denunciation of the Phonemic Reformers» 47-52
SÁNCHEZ ROURA, MARÍA TERESA. «Epistolary Formulae in Late Middle English Commercial Correspondence: the Cely Letters» 53-60
VERDAGUER, ISABEL. «English Verbs of Intellectual Activity in the Renaissance: A Cognitive Approach» 61-66
HOENSELAARS, TON. «The Seventeenth-Century Reception of English Renaissance Drama in Europe» 69-88
CASANOVA, JORGE. «Robert Burton’s Portrait ‘Philosophically, Medicinally and Historically’ Supported» 89-96
CUDER DOMÍNGUEZ, PILAR. «Merry Wives and Widows in Aphra Behn’s Later Comedies» 97-104
FIGUEROA DORREGO, JORGE. «Men’s Inconstancy in the Prose Fiction of Mary Wroth and María de Zayas» 105-110
MONNICKENDAM, ANDREW. «The Meerie Lawes of 1646: The Parliament of Women as Lampoon and Subversion» 111-120
STONE, JOHN. «John Cowell’s Interpreter: Legal Tradition and Lexicographical Innovation» 121-130
GARCÍA GARCÍA, LUCÍANO. «Towards a Definition of European Tragicomedy and Romantic Comedy of the Seventeenth Century: The Courtly Fashion in England and Spain» 131-140
PARDO GARCÍA, PEDRO JAVIER. «Parody, Satire and Quixotism in Beaumont’s The Knight of the Burning Pestle» 141-152
MEIRA SERRAS, ADELAIDE. «The Will to Reform. Milton’s and Verney’s Educational Projects» 153-158
VÉLEZ NÚÑEZ, RAFAEL. «Music Symbolism in Stuart Pageantry» 159-164
WHITLOCK, KEITH. «Shakespeare’s The Tempest: Some Thought Experiments» 167-184
ÁLVAREZ FAEDO, MARÍA JOSÉ. «Two Film Versions of Othello: A Twentieth-century Approach to Shakespeare’s Play» 185-193
CARVALHO HOMEM, RUI. «Of Power and Race and Sex – with due respect: on some Portuguese translations of Othello» 194-204
CEREZO MORENO, MARTA. «The Controlling Force of Rome in Coriolanus and Julius Caesar» 205-210
HIDALGO, JUAN CARLOS. «The Split ‘I’ in Celestino Coronado’s Hamlet» 211-216
FIUEIRÒA NAVARRO MACHADO, MARIA SALOMÉ. «The Sins of the Fathers: Marlowe’s Barabas and Shakespeare’s Shylock» 217-224
OLIVARES MERINO, EUGENIO. «The Fismonger’s Daughter Goes Crazy (I): the Domineering Father, the Mad Lover, and the Dead Mother» 225-238
SÁNCHEZ ESCRIBANO, F. JAVIER. «English Renaissance Studies in Spain: A Bibliography up to 1995» 241-304

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Sederi 9

Publicado en por sederi

Sederi 9
Editor: Jesús Cora
Assistant Editors: Isabel de la Cruz
and Guzmán Mancho Barés
General Editor: S. G. Fernández-Corugedo
ISSN 1135-7789

Contents

SECTION I: TOPICS IN RENAISSANCE ENGLISH Pag.        
Cruz Cabanillas, Isabel de la. English Etymological Respellings and Their Influence upon Pronunciation 1-8
García-Bermejo Giner, María Fuencisla. The Northern/Scottish Dialect in Nathaniel Woodes’ A Conflict of Conscience (1581) 9-22
González Álvarez, Dolores. Evaluative Subject Modifiers in Early Modern English 23-38

SECTION II: TOPICS IN LITERATURE & CRITICISM Pag.        
Borot, Luc. Early Journalism in Sixteenth- and Seventeeth-Century England: The Interface between Literature and «Popular Culture» 41-58
Ungerer, Gustav. Juan Pantoja de la Cruz and the Circulation of Gifts Between the English and Spanish Courts in 1604/5 59-78
Cuder Domínguez, Pilar. «In Stella’s face I read»: Stella as Palimpsest in Sidney’s Sonnet Sequence 79-84
Hernández Santano, Sonia. Corrupted Platonism in Astrophil and Stella: The Expression of Desire 85-90
Cora Alonso, Jesús. Donne’s Holy Sonnet I and Alciato’s Emblem CXXI 91-122
Pando Cantelli, María J. Sonnets, Rooms, Tears and Books: the Poetics of Physical Spaces in Donne’s Love Poetry 123-128
Prieto Pablos, Juan Antonio. John Donne’s Rhetoric of Suspension 129-134
Ribes Triver, Purificación. Religious Struggle in John Donne and Ausiàs March 135-148
Carvalho Homem, Rui. Difficult Ancestors: Modern Irish Poets and their Elizabethan Predecessors 149-158
Relvas, María Jesús. Baltasar Gracián and the Ethics of the Renaissance 159-162
Curbet, Joan. «Changeling love»: The Function of Cupid in Fulke Greville’s Caelica 163-170
Flotats, Rosa. Three and its Content: Thought, Hope, Poetry in Milton 171-178
Sáez Hidalgo, Ana. The Romantic Robert Burton or the Art of Forgery 1179-188
Stone, John. A Gardenist Reading of Andrew Marvell’s «Upon Appleton House» 189-202
López-Peláez Casellas, Jesús. The Enemy Within: Otherness in T. Dekker’s Lust’s Dominion 203-208
Vélez Núñez, Rafael. The Poetical Mind in Ben Jonson’s Masques 209-214

SECTION III: SHAKESPEARE Pag.        
Campbell, Gordon. Obelisks and Pyramids in Shakespeare, Milton and Alcalá 217-232
Wilson, Hugh. Shakespeare’s The Taming of the Shrew and Traces of Spanish Influence: Or, Exemplary Tales, and Picaresque Fictions 233-256
Machado, María Salomé. Shakespeare’s The Taming of the Shrew and Johnson’s Epicoene: The Women in the Stocks 257-264
Ballesteros González, Antonio. The Ominous Fate of Monstrosity in King Lear 265-270
Bueno Alonso, Jorge Luis. History, Patriotism and Religion in William Shakespeare’s Henry V 271-284
González Campos, Miguel Ángel. Shakespeare in Outer Space: Forbidden Planet as Adaptation of The Tempest 285-292
González Fernández de Sevilla, José Manuel. Shakespeare’s Use of History in Escala’s Criticism 293-298
Muñoz Valdivieso, Sofía. Double Erasure in The Tempest: Miranda in Postmodern Critical Discourse 299-304
Tronch, Jesús. New Old Readings in the Texts of Hamlet 305-317

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Sederi 8

Publicado en por sederi

Sederi 8
Edited by Juan Antonio Prieto Pablos
Manuel Gómez Lara & María José Mora Sena & S. G. Fernández-Corugedo
Sederi — Universidad de Sevilla
1998
ISSN 1135-7789

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Contents

Pag.        
Preliminaries 1-4

SECTION I: TOPICS IN RENAISSANCE ENGLISH Pag.        
García-Bermejo Giner, María Fuencisla. “Some Northern Dialect Features in Deloney’s Thomas of Reading ” 5-18
O’Neill, Maria. “The Sweet Smoke of Rhetoric»: Some Observations on Shakespeare’s Theory of Language” 19-24
Rodríguez Ledesma, Nieves. “ Othere places delitables in two sixteenth-century texts” 25-34
Varela Pérez, José Ramón. “The use of periphrastic do in Early Modern English negative declaratives: evidence from the Helsinki Corpus” 35-46

SECTION II: TOPICS IN LITERATURE & CRITICISM Pag.        
Martínez-Dueñas Espejo, José Luis. “Rhetorical tradition and the argument of separation: Milton ‘s The Doctrine and Discipline of Divorce ” 49-58
Ballesteros, Antonio: “‘The Rest is Silence’: Absent Voices in John Donne’s Songs and Sonnets ” 59-64
Crespo Candeias Velez Relvas, María de Jesus. “Sir Robert Sidney’s Poems Revisited: the Alternative Sequence” 65-69
Jiménez Heffernan, Julián. “John Donne and the New Universe. Retaking the issue” 71-82
Jiménez Placer, Susana. “New England Puritans: “The Lord’s Free People” 83-90
López-Peláez Casellas, Jesús, “ocial Function of the Renaissance Concept of Honour: An Introduction” 91-97
Paiva Correia, María Hélena de. “A Sense of Continuity: lyric sequences, dramatic cycles and narrative pilgrimages in late medieval and early modern Literature” 99-102
Tazón Salces, Juan. “The Expression of Fear: William Cecils’ The Execution of Justice ” 103-109

SECTION III: TOPICS IN RENAISSANCE WOMEN WRITERS Pag.        
Hutson, Lorna. “‘Who Speaks for Justice?’: Renaissance Legal Development and the Literary Voices of Women” 113-136
Calderón López, María Isabel: “‘If it be naught’: Margaret Cavendish and the Performance of Transcendence” 137-146
Cuder Domínguez, Pilar. “‘Pretty Contradictions’: the Virgin Prostitutes of Aphra Behn’s The Feigned Courtesans ” 147-153
Domínguez García, Beatriz. “Female Relationships in Mary Pix’s The Beau Defeated ” 155-161
Villegas López, Sonia. “Transgression and After: Fathers and Daughters in Susanna Centlivre’s The Busybody ” 163-169

SECTION IV: SHAKESPEARE & THEATRE Pag.        
Wells, R. H. “Shakespeare, Virgil and the Politics of Violence” 173-190
Solokova, Boika. “A clockwork brick in the Wall: Shakespeare and Communist Aesthetics” 191-201
Carvalho Homem, Rui. “At the damsels’ feet: Translation and decorum in a nineteenth-century Hamlet ” 203-209
Díaz Fernández, José Ramón. “Rosalind in Jeans: Christine Edzard’s Film Version of As You Like It ” 211-216
Luis Martínez, Zenón. “‘A Speechless Dialect’: Gender and Self-Recognition in Measure for Measure ” 217-225
Muñoz Valdivieso, Sofía. “‘Silence is the perfectest herald of joy’: The Claudio-Hero Plot in Kenneth Branagh’s Much Ado About Nothing ” 227-232
Portillo, Rafael and Mercedes Salvador. “Shakespeare in Spanish Translations: Recent Findings About the Nacente Collection” 233-238
Tronch Pérez, Jesús. “‘Conflation’ in the non-conflated Shakespearian editions” 239-249
Cora Alonso, Jesús. “The Circle Pattern in Ben Jonson’s Volpone ” 251-268
Figueirôa Navarro Machado, Maria Salomé. “The Three Faces of the Goddess in Ben Jonson’s Masque of Queens ” 269-274
González Campos, Miguel Ángel. “Crime, Revenge and Horror: Peter Greenaway’s The Cook, The Thief, His Wife and Her Lover as a Jacobean Revenge Tragedy” 275-280
González Fernández de Sevilla, José Manuel. “The Court Drama of Ben Jonson and Calderón” 281-290
Hidalgo Ciudad, Juan Carlos. “Marlowe, Jarman, and Edward II : Use or Abuse?” 291-295
Vélez Núñez, Rafael. “Beyond the emblem: Alchemical Albedo in Ben Jonson’s The Masque of Blacknes ” 297-304

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