Sederi 30

Sederi 30
Sederi 30 — 2020
EDITOR
Ana Sáez-Hidalgo
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this volume in PDF 

ARTICLES Pag.        
Luis Javier Conejero-Magro. The School of Salamanca in the sixteenth century and the way kingship is canvassed in Shakespeare’s Richard II 7-28
Isabel de la Cruz Cabanillas. The Secrets of Alexis in Glasgow University Library MS Ferguson 7 29-46
Joan Curbet Soler. Writing and weaving: The textual and the textile in Spenser´s 1590 Faerie Queene, III.i 47-68
Irene Montori. Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton 69-89
Katherine Romack. The romance of Nahum Tate’s King Lear 91-115
Sonia Villegas López. Truth and wonder in Richard Head’s geographical fictions 117-37

REVIEWS Pag.        
Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes) 141-44
Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell) 145-50
Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido) 151-55
María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López) 157-62
Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín) 163-67
Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez) 169-76
Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch) 177-81

PERFORMANCE REVIEWS Pag.        
West Side Story (2018–2020) (by Víctor Huertas Martín) 183-88

Sederi 29

Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this volume in PDF 

ARTICLES Pag.        
Bellmunt-Serrano, Manuel. Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation 11-33
Bermudez Brataas, Delilah. The blurring of genus, genre, and gender in MArgaret Cavendish’s utopias 35-59
Chiari, Sophie. The limner’s art in Shakespeare’s Macbeth 61-83
Hulse, Clark. Ovid’s urban metamorphosis 85-108
Mazzola, Elizabeth. Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare’s stage 109-33
Sánchez García, Inmaculada N. Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad 135-60

NOTES Pag.        
Edwards, A.S.G. William Forrest: Poetry, politics, script and power 163-78

REVIEWS Pag.        
Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell) 183-88
Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner) 189-93
Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell) 194-98
Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez) 199-204
Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas) 205-210
José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello) 211-15
Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch) 216-20
Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago) 221-26
Sónia Baptista, I Call Her Will (by Francesca Rayne) 227-29

Sederi 28

Sederi 28
Sederi 28 — 2018
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this volume in PDF

ARTICLES Pag.        
Carroll, William C. I knew him in Padua: London theatre and early modern constructions of erudition 7-32
Monterrey, Tomás. El príncipe tirano by Juan de la Cueva as the Spanish source of Thomas Lodge’s A Margarite of America: A comparative suggestion 33-53
Rubik, Margarete. The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford 55-78
Yılmaz, Zümre Gizem., “The sweet fruition of an earthly crown”: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus 79-96

NOTES Pag.        
Schintu, Paula. “The gully-hole of literature”: On the enregisterment of cant language in seventeenth-century England 99-117
Trofimova, Violetta. First encounters of Europeans and Africans with Native Americans in Aphra Behn’s Oroonoko: White woman, black prince and noble savages 119-128

REVIEWS Pag.        
William Shakespeare. The Comedy of Errors, ed. Kent Cartwright; and William Shakespeare. Cymbeline, ed. Valerie Wayne (The Arden Shakespeare) (by Jesús Tronch Pérez) 131-140
Alison Findlay and Vassiliki Markidou, eds. 2017. Shakespeare and Greece. London: Bloomsbury Arden Shakespeare (by Zenón Luis-Martínez) 141-146
Kirk Melnikoff, ed. 2017. Edward II: A Critical Reader. London and New York: Bloomsbury (by Veronika Schandl) 147-150
Marianne Novy. 2017. Shakespeare and Feminist Theory. Bloomsbury: London (by Francesca Rayner) 151-153
Stephen O’Neill, ed. 2018. Broadcast Your Shakespeare (Continuity and Change across Media). London and New York: Bloomsbury (by Víctor Huertas Martín) 155-159
Anthony Guy Patricia.2017. Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. London and New York: Bloomsbury & Goran Stanivukovic, ed. 2017. Queer Shakespeare: Desire and Sexuality. London and New York: Bloomsbury (by Juan Carlos Hidalgo Ciudad) 161-166

Sederi 27

Sederi 27
Sederi 27 — 2017
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this  volume in PDF

ARTICLES Pag.        
Amelang, David. From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet 7-26
Guerrero, Isabel. Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral 27-46
Hornero Corisco, Ana María. Translation of temporal dialects in the dubbed versions of Shakespeare films 47-79
Huertas Martínez, Víctor. Rupert Goold’s Macbeth (2010): Surveillance society and society of control 81-103
Muñoz-Valdivieso, Sofía. Shakespeare our contemporary in 2016: Margaret Atwood’s rewriting of The Tempest in Hag-Seed 105-129
Nicolaescu, Madalina. Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice 129-148
Schutte, Valerie. Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor 149-166
Torralbo Caballero, Juan de Dios. “For know, alas, I’m dumb, alas I love”: Rhetoric of disability, female agency and tragedy in “The Dumb Virgin” 167-192

NOTES Pag.        
Bravo Lozano, Cristina. Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644) 195-211
Martínez-García, Laura. Nelly or Ellen? Revamping the first English actresses in contemporary popular culture 213-228

REVIEWS Pag.        
Dominic Cooke, dir. The Hollow Crown: The Wars of the Roses (by Víctor Huertas Martín) 231-237
Sonia Hernández-Santano, ed. William Webbe, A Discourse of English Poetry (by Rocío G. Sumillera) 239-241
Robert D. Hume and Judith Milhous. The Publication of Plays in London 1660-1800: Playwrights, Publishers and the Market (by Jorge Jiménez Rodríguez) 243-247
John Knox. El primer toque de la trompeta contra el monstruoso gobierno de las mujeres. Edited by José Luis Martínez-Dueñas and Rocío G. Sumillera (by Carme Font Paz) 249-253
Zenón Luis-Martínez, ed. Abraham Fraunce. The Shepherds’ Logic and Other Dialectical Writings (by Jonathan P.A. Sell) 255-261
Richard McCabe. “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era (by Nora Rodríguez-Loro) 263-268
Thomas O’Connor. Irish Voices from the Spanish Inquisition: Migrants, Converts and Brokers in Early Modern Iberia (by Óscar Recio Morales) 269-272

PERFORMANCE REVIEWS Pag.        
The Globe to Globe Hamlet Tour: A Celebratory Performance in Elsinore (by Remedios Perni) 273-277

About

ISSN 1135-7789 SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy. The SEDERI Yearbook is included in the following indexes and repertories: Annual Bibliography of English Language and Literature […]

Sederi 26

Sederi 26
Sederi 26 — 2016
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this  volume in PDF

ARTICLES Pag.        
Drakakis, John. Money makes the world go round: Shakespeare, commerce and community 7-30
McJannet, Linda. Timür’s theatrical journey: Or, when did Tamburlaine become black? 31-66
Ortiz-Salamovich, Alejandra. Anthony Munday’s Palmerin d’Oliva: Representing sexual threat in the Near East 67-84
Pascual Garrido, Mª Luisa. Re-Humanising Coriolanus: Community and the ethical self 85-108
García-Periago, Rosa M. More than an Indian teen shrew: Postcolonial and transnational feminism in Isi Life Mein 105-128
Tronch, Jesús. Database-oriented annotation of early modern plays: A proposal 129-156

NOTES Pag.        
Oliveira, Susana. «The intolerable business»: Religion and diplomacy under Elizabeth’s rule 159-164
Schintu Martínez, Paula. «The mobile shall worship thee»: Cant language in Thomas Shadwell’s The Squire of Alsatia (1688) 175-193

REVIEWS Pag.        
Manuel J. Gómez-Lara, María José Mora, Paula de Pando, Rafael Portillo, Juan A. Prieto-PAblos and Rafael Vélez Núñez, eds. Restoration Comedy 1660-1670. A Catalogue (by Ángeles Tomé Rosales) 197-199
Justin Kurzel dir. Macbeth (by Victor Huertas) 201-207
James Mabbe. The Spanish Bawd. Edited by José María Pérez Fernández (by Jordi Sánchez-Martí) 209-216
Bartolomé Sanz Albiñana. La expresión de la sexualidad en las traducciones españolas de «Hamlet» (by María José Álvarez Faedo) 219-222
Oana-Alis Zaharia. Cultural Reworkings and Translations in/of Shakespeare’s Plays (by Mādālina Nicolaescu) 223-225

PERFORMANCE REVIEWS Pag.        
Las Alegres Casadas, Almagro, 2015 (by Isabel Guerrero) 227-231
Recreating Shakespeare: You are my destiny (Lostupro di Lucrezia), Zagreb, 2014 (by Remedios Perni) 232-238

Information for Authors

Submissions will be sent to two referees for assessment, following a blind peer-review policy. In case of disagreement, a third report will be decisive. If the paper is accepted for publication, the authors may be asked to consider the suggestions made by the referees and to bring it into line with our style sheet. The contributions, in its final form, will then go through copyediting, layout, and proofreading. Once published, the authors will receive a copy of the issue in which their work is included.

  1. Relation to SEDERI areas of interest.
  2. Originality and interest of the topic in relation to current research.
  3. Use of concepts and methods of analysis.
  4. Interest of data analysed, results obtained and conclusions reached.
  5. Depth of discussion of issues, problems and theoretical concerns.
  6. Coherence and cohesion in the thread of argument and structure.
  7. Clarity, conciseness and command of the language.
  8. Knowledge and review of bibliographical references and sources.
  9. Engagement with and discussion of other studies on the topic.
  10. Title: its adequacy, clarity and informative quality.

  • Early Modern English Literature
  • Early Modern English History and Culture
  • Early Modern English Language
  • Restoration English Studies
  • Early Modern Anglo-Spanish cross-cultural studies
  • Early Modern Anglo-Portuguese cross-cultural studies

  • Time from submission to decision: 3-4 months
  • Time from decision to publication: 6-9 months
  • Number of readers prior to decision: 2-3
  • Articles/Notes submitted per year: 20-25
  • Articles/Notes published per year: 6-12
  • Information last updated: September 2019


Copyright holder: SEDERI

Only original research is published by SEDERI. Therefore, we do not consider research pieces that have been published elsewhere (either in print or online) or are under simultaneous consideration with another publisher; translations are not considered either.
Authors will be asked to sign a declaration stating that their contributions have not been previously published, in whole or in part, and do not infringe the copyright or property right of another journal, author or publisher.
Permission for publication of copyrighted material (pictures, photographs, etc.) should be obtained by the author.
The copyright holder of the published contributions is SEDERI.
The hardcopy and an open-access version of the journal will be published simultaneously. The issues will be available online in the SEDERI website (www.sederi.org/yearbooks.htm) and other repositories that have signed an agreement with SEDERI.
Those authors who wish to republish or rewrite their contributions for another journal/book or include the published article in their personal repositories should contact the editors to obtain permission to do so. This will entail citing SEDERI as the original source and sending the editors a copy of the new version.

 

INFORMATION FOR READERS

SEDERI publishes scholarly research pieces, which will be available both in print and online. These will be Open Access, in the spirit of sharing knowledge. Remember, however, that the journal is copyrighted, and therefore any kind of usage of SEDERI material must give credit to the journal by citing the authorship and full publication details. The usage of SEDERI material for commercial purposes is not allowed without the journal’s permission. 

If you have any further queries, do not hesitate to contact the editors
SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies
Ana Sáez-Hidalgo, EDITOR
Marta Cerezo, MANAGING EDITOR
Isabel Guerrero, MANAGING EDITOR
Miguel Ramalhete, REVIEW EDITOR
Sara Medina Calzada, Tamara Pérez-Fernández, Marta Revilla-Rivas, PRODUCTION EDITORS
SEDERI
Dpto. Filología Inglesa – Universidad de Valladolid – Pza. del Campus s/n – 47011 Valladolid (Spain)
http://www.sederi.org/yearbook/                 sederiyearbook@yahoo.es
https://recyt.fecyt.es/index.php/SEDY

Issues

Sederi 30 – 2020 Sederi 29 – 2019 Sederi 28 – 2018 Sederi 27 – 2017 Sederi 26 – 2016 Sederi 25 – 2015 Sederi 24 – 2014 Sederi 23 – 2013 Sederi 22 – 2012 Sederi 21 – 2011 Sederi 20 – 2010 Sederi 19 – 2009 Sederi 18 – 2008 Sederi 17 – […]

Sederi 25

Sederi 25
Sederi 25 — 2015
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

Download this  volume in PDF

Contents
Pag.        
Obituary in memoriam Prof. F. J. Sánchez Escribano 5-8

ARTICLES Pag.        
Calbi, Maurizio. Exilic/idyllic Shakespeare: Reiterating Pericles in Jacques Rivette’s Paris nous appartient 11-30
Caporicci, Camilla. The tyranny of immaterialism: Refusing the body in The Winter’s Tale 31-54
Hadfield, Andrew. Grimalkin and other Shakespearean Celts 55-76
Houliston, Victor. Filling in the blanks: Catholic hopes for the English succession 77-104
Lasa Álvarez, Begoña. Constructing a portrait of the early-modern woman writer for eighteenth-century female readers: George Ballard’s Memoirs of Several Ladies of Great Britain (1752) 105-127
Rayner, Francesca. Adapting Macbeth in a Lusophone context: The challenges of intercultural performance 129-151

NOTES Pag.        
Mora, María José. The casting of Sancho in Durfey’s The Comical History of Don Quixote, Parts I-II (1694) 155-167

REVIEWS Pag.        
Camilla Caporici. 2013. The Dark Lady. La Rivoluzione Shakespeariana nei Sonetti Alla Dama Bruna, Passignano Sul Trasimeno (by Cristiano Ragni) 171-173
Pilar Cuder-Domínguez, ed. 2014. Genre in English Literature, 1650-1700: Transitions in Drama and Fiction (by Jonathan P. A. Sell) 175-180
Andy Kesson. 2014. John Lyly and Early Modern Authorship (by Jonathan P. A. Sell) 181-187
Philip Lorenz. 2013. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama (by Víctor Huertas) 189-194
Laura Martínez-García. 2014. Seventeenth- and Eighteenth Century English Comedies as a New Kind of Drama (by Jorge Figeroa Dorrego) 195-200
Ángel-Luis Pujante, Juan F. Cerdá, eds. 2014. Shakespeare en España: Bibliografía anotada bilingüe / Shakespeare in Spain: an Annotated Bilingual Bibliography (by Rui Carvalho Homem) 201-205
Miguel Ramalhete Gomes. 2014. Texts Waiting for History: William Shakespeare re-imagined by Heine Müller (by Francesca Rayner) 207-211
Richards, Cynthia & Mary Ann O’Donnell eds. 2014. Approaches to Teaching Behn’s Oroonoko (by Ángeles Tomé Rosales) 213-217

PERFORMANCE REVIEWS Pag.        
Shakespeare in Almagro 2014: Hambret (by Isabel Guerrero) 219-223

Sederi 24

Sederi 24
Sederi 24 — 2014
EDITORS
Berta Cano Echevarría & Ana Sáez-Hidalgo
REVIEW EDITOR
Francisco J. Borge López
ISSN 1135-7789

Download this  volume in PDF

Contents

ARTICLES Pag.        
Clark, Sandra. Women, class, and the language of madness in early modern English drama 7-26
Halpern, Richard. Bassanio’s bailout: A brief history of risk, Shakespeare to Wall Street 27-45
MacCrossan, Colm. Framing «Nova Albion»: Marking possession in Richard Hakluyt’s The Principal Navigations, Voyages, Traffiques and Discoveries of the English Nation 47-68
Maley, Willy. Peninsula Lost: Mapping Milton’s Celtiberian cartographies 69-93
Sell, Jonathan P. A. «Warts and all»: John Lyly’s atheist aesthetics 95-118
Matei-Chesnoiu, Monica. The authority of geography in Pericles, Prince of Tyre: Jacob Falckenburgk and Dionysius Periegetes 119-139

NOTES Pag.        
Hutchings, Mark. «Those rebellious Hollanders«: The Changeling‘s double Dutch 143-156
Ramalhete Gomes, Miguel. Intended for the stage: Performance criticism in Richard Brome’s The Antipodes 157-169
Sánchez-de-Nieva, María J. A bibliographical description of the British Library copy of The Honour of Chivalrie (1598) 171-179

REVIEWS Pag.        
Belén Álvarez-Faedo. 2013. Edward II, Dr. Faustus y The Jew of Malta. Análisis de sus traducciones al español (by Jesús López-Peláez Casellas) 183-190
David Nichol. 2012. Middleton and Rowley: Forms of Collaboration in the Jacobean Playhouse (by Tony Bromham) 191-195
William Shakespeare. 2013. Sonetos y Querellas de una amante. English edition, introduction, translation and notes by Luciano García García (by José Ruiz Mas) 197-204
Romana Zacchi and Massimiliano Morini, eds. 2012. Richard Rowlands Verstegan: A Versatile Man in an Age of Turmoil (by Victor Houliston) 205-208

PERFORMANCE REVIEWS Pag.        
Shakespeare à La Brasileira Coulours Portugal: A Review of Sua Incelença, Ricardo III. Produced by Clowns be Shakespeare (by Livia Segurado) 209-215
Shakespeare, Macbeth. Suspense, London Puppetry Festival. Dir. Peter Glanville (London, 18 October 2013) (by Isabel Guerrero) 216-219
Shakespeare, Tempestad. Dir. Sergio Peris-Mencheta (Murcia, 25 October 2013) (by Isabel Guerrero Llorente) 220-224