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Protegido: Sederi 34

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Sederi 33
Sederi 33 — 2023
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
PRODUCTION EDITORS
David J. Amelang
Tamara Pérez-Fernández
ISSN 1135-7789

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ARTICLES	Pag.
Susana P. Magalhães Oliveira. Emotions and early modern diplomacy: The case of Iberian ambassadors at the Elizabethan court	9-31
Alejandro Sell Maestro. William Godolphin and Francisco de la Torre’s Agudezas de Juan Oven (1674): Patronage, diplomacy, and confessionalism	33-56
Marguerite Tassi. Pursuing contentment and liberation in the Forest of Arden: Hindu and Buddhist resonances in As You Like It	57-80
Inmaculada Ureña Asensio. Recommended reading for good governors: Utopia de Thomas Moro (1637)	81-104

REVIEWS	Pag.
Leticia Álvarez-Recio, ed. Iberian Chivalric Romance: Translations and Cultural Transmission in Early Modern England (by Ana Sáez-Hidalgo)	107-111
Casandra Gorman, The Atom in Seventeenth-Century Poetry (by María Vera-Reyes)	112-116
Francesca Clare Rayner, Shakespeare and the Challenge of the Contemporary: Performance, Politics and Aesthetics (by Veronika Schandl)	117-120
Ana Sáez-Hidalgo and Berta Cano-Echevarría, eds. Exile, Diplomacy and Texts: Exchanges between Iberia and the British Isles, 1500–1767 (by Carme Font-Paz)	121-125

PERFORMANCE REVIEWS	Pag.
Shakespeare’s Julius Caesar at the International Classical Theater Festival of Mérida, directed by José María Muscari (by Víctor Huertas-Martín)	126-130

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Sederi 32

Publicado en por sederi

Sederi 32
Sederi 32 — 2022
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES	Pag.
María José Coperías-Aguilar. Between fictionality and reality: The “novels” in the Gentleman’s Journal	7-30
Antonio Espigares Pinilla and Renae Satterley. The three manuscript copies of Robert Ashley’s Of Honour and Sebastián Fox Morcillo’s De honore. Study of a translation plagiarism	31-65
Víctor Fernández Fernández. Guzmán de Silva and Elizabeth I: A diplomacy of emotion	67-86
Cristina Paravano. “Remembrance of things past”: Classical and Renaissance echoes in Philip Massinger’s The Roman Actor	87-110

REVIEWS	Pag.
Jorge Blanco-Vacas, ed. Mr. Turbulent. A Critical Edition (by Jorge Figueroa Dorrego)	113-117
Evelyn Gajowski, ed. The Arden Research Handbook of Contemporary Shakespeare Criticism (by Víctor Huertas Martín)	118-122
Gábor Gelléri and Rachel Willie, eds. Travel and Conflict in the Early Modern World (by Liam Benison)	123-127
Andrew James Hartley and Peter Holland, eds. Shakespeare and Geek Culture (by Larisa Kocic-Zámbó)	128-132
Victoria M. Muñoz, Spanish Romance in the Battle for Global Supremacy: Tudor and Stuart Black Legends (by Leticia Álvarez Recio)	133-137
Richard Proudfoot, Ann Thompson, David Scott Kastan and H. R. Woudhuysen, eds. The Arden Shakespeare Third Series Complete Works (by Jesús Tronch)	138-143
David Ruiter, ed. The Arden Research Handbook of Shakespeare and Social Justice (by Remedios Perni)	144-148
Kiernan Ryan, Shakespearean Tragedy (by Jonathan P. A. Sell)	149-153
Alexander Samson, Mary and Philip: The Marriage of Tudor England and Habsburg Spain (by Berta Cano Echevarría)	154-158
Jordi Sánchez-Martí, ed. Los libros de caballerías en Inglaterra, 1578-1700 (by Stefano Neri)	159-163
Jonathan P. A. Sell, Shakespeare’s Sublime Ethos: Matter, Stage, Form & Jonathan P. A. Sell, Shakespeare’s Sublime Pathos: Person, Audience, Language (by Zenón Luis-Martínez)	164-168

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Sederi 31

Publicado en por sederi

Sederi 31
Sederi 31 — 2021
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITORS
Marta Cerezo Moreno
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES	Pag.
Luciano García García. From Lives to Discurso in the biographies of Thomas More: Roper, Harpsfield and Herrera	7-30
Antony Henk. Mending “the injurie of oblivion”: “Englishing” Chaucer and Barbour in early printed editions	31-54
Lisa Hopkins. “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart	55-72
Francesca Rayner. The story of what might have been: Interrogating Romeo and Juliet under the Portuguese dictatorship	73-92
José Ruiz Mas. English travelers in early modern Cyprus: Piety, commerce and anti-Ottoman sentiment	93-115
Alison Shell. Priestly playwright, secular priest: William Drury’s Latin and English drama	117-45

NOTES	Pag.
Valerie Schutte. A ballad of treason for Queen Mary I’s accession	145-58

REVIEWS	Pag.
Kate Aughterson and Ailsa Grant Ferguson, Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama (by Jennifer Ruiz Morgan)	161-65
Sophie Chiari & Sophie Lemercier-Goddard, eds. John Webster’s “Dismal Tragedy”: The Duchess of Malfi Reconsidered (by Mª Jesús Pérez Jáuregui)	166-70
Jennifer Drouin, ed. Shakespeare / Sex: Contemporary Readings in Gender and Sexuality (by Francesca Rayner)	171-73
White Kennet, Etymological Collections of English Words, edited by Javier Ruano-García (by Christopher Langmuir)	174-77
Irene Montori, Milton, the Sublime and Dramas of Choice: Figures of Heroic and Literary Virtue (by Jonathan Sell)	178-82
Ángel-Luis Pujante and Keith Gregor, eds. Otelo en España. La versión neoclásica y las obras relacionadas (by Jesús López-Peláez Casellas)	183-87
Rocío G. Sumillera. Invention: The Language of English Renaissance Poetics (by Jonathan Sell)	188-91
Rémi Vuillemin, Laetitia Sansonetti and Enrica Zanin, eds. The early modern English sonnet. Ever in motion (by María Vera Reyes)	192-96

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Sederi 30

Publicado en por sederi

Sederi 30
Sederi 30 — 2020
EDITOR
Ana Sáez-Hidalgo
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES	Pag.
Luis Javier Conejero-Magro. The School of Salamanca in the sixteenth century and the way kingship is canvassed in Shakespeare’s Richard II	7-28
Isabel de la Cruz Cabanillas. The Secrets of Alexis in Glasgow University Library MS Ferguson 7	29-46
Joan Curbet Soler. Writing and weaving: The textual and the textile in Spenser´s 1590 Faerie Queene, III.i	47-68
Irene Montori. Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton	69-89
Katherine Romack. The romance of Nahum Tate’s King Lear	91-115
Sonia Villegas López. Truth and wonder in Richard Head’s geographical fictions	117-37

REVIEWS	Pag.
Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes)	141-44
Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell)	145-50
Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido)	151-55
María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López)	157-62
Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín)	163-67
Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez)	169-76
Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch)	177-81

PERFORMANCE REVIEWS	Pag.
West Side Story (2018–2020) (by Víctor Huertas Martín)	183-88

Yearbook

Sederi 29

Publicado en por sederi

Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES	Pag.
Bellmunt-Serrano, Manuel. Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation	11-33
Bermudez Brataas, Delilah. The blurring of genus, genre, and gender in MArgaret Cavendish’s utopias	35-59
Chiari, Sophie. The limner’s art in Shakespeare’s Macbeth	61-83
Hulse, Clark. Ovid’s urban metamorphosis	85-108
Mazzola, Elizabeth. Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare’s stage	109-33
Sánchez García, Inmaculada N. Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad	135-60

NOTES	Pag.
Edwards, A.S.G. William Forrest: Poetry, politics, script and power	163-78

REVIEWS	Pag.
Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell)	183-88
Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner)	189-93
Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell)	194-98
Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez)	199-204
Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas)	205-210
José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello)	211-15
Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch)	216-20
Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago)	221-26
Sónia Baptista, I Call Her Will (by Francesca Rayne)	227-29

Yearbook

Sederi 28

Publicado en por sederi

Sederi 28
Sederi 28 — 2018
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES	Pag.
Carroll, William C. “I knew him in Padua”: London theatre and early modern constructions of erudition	7-32
Monterrey, Tomás. El príncipe tirano by Juan de la Cueva as the Spanish source of Thomas Lodge’s A Margarite of America: A comparative suggestion	33-53
Rubik, Margarete. The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford	55-78
Yılmaz, Zümre Gizem., “The sweet fruition of an earthly crown”: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus	79-96

NOTES	Pag.
Schintu, Paula. “The gully-hole of literature”: On the enregisterment of cant language in seventeenth-century England	99-117
Trofimova, Violetta. First encounters of Europeans and Africans with Native Americans in Aphra Behn’s Oroonoko: White woman, black prince and noble savages	119-128

REVIEWS	Pag.
William Shakespeare. The Comedy of Errors, ed. Kent Cartwright; and William Shakespeare. Cymbeline, ed. Valerie Wayne (The Arden Shakespeare) (by Jesús Tronch Pérez)	131-140
Alison Findlay and Vassiliki Markidou, eds. 2017. Shakespeare and Greece. London: Bloomsbury Arden Shakespeare (by Zenón Luis-Martínez)	141-146
Kirk Melnikoff, ed. 2017. Edward II: A Critical Reader. London and New York: Bloomsbury (by Veronika Schandl)	147-150
Marianne Novy. 2017. Shakespeare and Feminist Theory. Bloomsbury: London (by Francesca Rayner)	151-153
Stephen O’Neill, ed. 2018. Broadcast Your Shakespeare (Continuity and Change across Media). London and New York: Bloomsbury (by Víctor Huertas Martín)	155-159
Anthony Guy Patricia.2017. Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. London and New York: Bloomsbury & Goran Stanivukovic, ed. 2017. Queer Shakespeare: Desire and Sexuality. London and New York: Bloomsbury (by Juan Carlos Hidalgo Ciudad)	161-166

Yearbook

Sederi 27

Publicado en por sederi

Sederi 27
Sederi 27 — 2017
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES	Pag.
Amelang, David. From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet	7-26
Guerrero, Isabel. Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral	27-46
Hornero Corisco, Ana María. Translation of temporal dialects in the dubbed versions of Shakespeare films	47-79
Huertas Martínez, Víctor. Rupert Goold’s Macbeth (2010): Surveillance society and society of control	81-103
Muñoz-Valdivieso, Sofía. Shakespeare our contemporary in 2016: Margaret Atwood’s rewriting of The Tempest in Hag-Seed	105-129
Nicolaescu, Madalina. Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice	129-148
Schutte, Valerie. Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor	149-166
Torralbo Caballero, Juan de Dios. “For know, alas, I’m dumb, alas I love”: Rhetoric of disability, female agency and tragedy in “The Dumb Virgin”	167-192

NOTES	Pag.
Bravo Lozano, Cristina. Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644)	195-211
Martínez-García, Laura. Nelly or Ellen? Revamping the first English actresses in contemporary popular culture	213-228

REVIEWS	Pag.
Dominic Cooke, dir. The Hollow Crown: The Wars of the Roses (by Víctor Huertas Martín)	231-237
Sonia Hernández-Santano, ed. William Webbe, A Discourse of English Poetry (by Rocío G. Sumillera)	239-241
Robert D. Hume and Judith Milhous. The Publication of Plays in London 1660-1800: Playwrights, Publishers and the Market (by Jorge Jiménez Rodríguez)	243-247
John Knox. El primer toque de la trompeta contra el monstruoso gobierno de las mujeres. Edited by José Luis Martínez-Dueñas and Rocío G. Sumillera (by Carme Font Paz)	249-253
Zenón Luis-Martínez, ed. Abraham Fraunce. The Shepherds’ Logic and Other Dialectical Writings (by Jonathan P.A. Sell)	255-261
Richard McCabe. “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era (by Nora Rodríguez-Loro)	263-268
Thomas O’Connor. Irish Voices from the Spanish Inquisition: Migrants, Converts and Brokers in Early Modern Iberia (by Óscar Recio Morales)	269-272

PERFORMANCE REVIEWS	Pag.
The Globe to Globe Hamlet Tour: A Celebratory Performance in Elsinore (by Remedios Perni)	273-277

Yearbook

About

Publicado en por sederi

ISSN 1135-7789 SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy. The SEDERI Yearbook is included in the following indexes and repertories: Annual Bibliography of English Language and Literature […]

Yearbook

Sederi 26

Publicado en por sederi

Sederi 26
Sederi 26 — 2016
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES	Pag.
Drakakis, John. Money makes the world go round: Shakespeare, commerce and community	7-30
McJannet, Linda. Timür’s theatrical journey: Or, when did Tamburlaine become black?	31-66
Ortiz-Salamovich, Alejandra. Anthony Munday’s Palmerin d’Oliva: Representing sexual threat in the Near East	67-84
Pascual Garrido, Mª Luisa. Re-Humanising Coriolanus: Community and the ethical self	85-108
García-Periago, Rosa M. More than an Indian teen shrew: Postcolonial and transnational feminism in Isi Life Mein	105-128
Tronch, Jesús. Database-oriented annotation of early modern plays: A proposal	129-156

NOTES	Pag.
Oliveira, Susana. «The intolerable business»: Religion and diplomacy under Elizabeth’s rule	159-164
Schintu Martínez, Paula. «The mobile shall worship thee»: Cant language in Thomas Shadwell’s The Squire of Alsatia (1688)	175-193

REVIEWS	Pag.
Manuel J. Gómez-Lara, María José Mora, Paula de Pando, Rafael Portillo, Juan A. Prieto-PAblos and Rafael Vélez Núñez, eds. Restoration Comedy 1660-1670. A Catalogue (by Ángeles Tomé Rosales)	197-199
Justin Kurzel dir. Macbeth (by Victor Huertas)	201-207
James Mabbe. The Spanish Bawd. Edited by José María Pérez Fernández (by Jordi Sánchez-Martí)	209-216
Bartolomé Sanz Albiñana. La expresión de la sexualidad en las traducciones españolas de «Hamlet» (by María José Álvarez Faedo)	219-222
Oana-Alis Zaharia. Cultural Reworkings and Translations in/of Shakespeare’s Plays (by Mādālina Nicolaescu)	223-225

PERFORMANCE REVIEWS	Pag.
Las Alegres Casadas, Almagro, 2015 (by Isabel Guerrero)	227-231
Recreating Shakespeare: You are my destiny (Lostupro di Lucrezia), Zagreb, 2014 (by Remedios Perni)	232-238