Sederi 33


Sederi 33
Sederi 33 — 2023
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
PRODUCTION EDITORS
David J. Amelang
Tamara Pérez-Fernández
ISSN 1135-7789

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ARTICLES Pag.        
Susana P. Magalhães Oliveira. Emotions and early modern diplomacy: The case of Iberian ambassadors at the Elizabethan court9-31
Alejandro Sell Maestro. William Godolphin and Francisco de la Torre’s Agudezas de Juan Oven (1674): Patronage, diplomacy, and confessionalism33-56
Marguerite Tassi. Pursuing contentment and liberation in the Forest of Arden: Hindu and Buddhist resonances in As You Like It57-80
Inmaculada Ureña Asensio. Recommended reading for good governors: Utopia de Thomas Moro (1637)81-104


REVIEWS Pag.        
Leticia Álvarez-Recio, ed. Iberian Chivalric Romance: Translations and Cultural Transmission in Early Modern England (by Ana Sáez-Hidalgo) 107-111
Casandra Gorman, The Atom in Seventeenth-Century Poetry (by María Vera-Reyes) 112-116
Francesca Clare Rayner, Shakespeare and the Challenge of the Contemporary: Performance, Politics and Aesthetics (by Veronika Schandl) 117-120
Ana Sáez-Hidalgo and Berta Cano-Echevarría, eds. Exile, Diplomacy and Texts: Exchanges between Iberia and the British Isles, 1500–1767 (by Carme Font-Paz) 121-125


PERFORMANCE REVIEWS Pag.        
Shakespeare’s Julius Caesar at the International Classical Theater Festival of Mérida, directed by José María Muscari (by Víctor Huertas-Martín) 126-130

Sederi 32

Sederi 32
Sederi 32 — 2022
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES Pag.        
María José Coperías-Aguilar. Between fictionality and reality: The “novels” in the Gentleman’s Journal 7-30
Antonio Espigares Pinilla and Renae Satterley. The three manuscript copies of Robert Ashley’s Of Honour and Sebastián Fox Morcillo’s De honore. Study of a translation plagiarism 31-65
Víctor Fernández Fernández. Guzmán de Silva and Elizabeth I: A diplomacy of emotion 67-86
Cristina Paravano. “Remembrance of things past”: Classical and Renaissance echoes in Philip Massinger’s The Roman Actor 87-110

REVIEWS Pag.        
Jorge Blanco-Vacas, ed. Mr. Turbulent. A Critical Edition (by Jorge Figueroa Dorrego) 113-117
Evelyn Gajowski, ed. The Arden Research Handbook of Contemporary Shakespeare Criticism (by Víctor Huertas Martín) 118-122
Gábor Gelléri and Rachel Willie, eds. Travel and Conflict in the Early Modern World (by Liam Benison) 123-127
Andrew James Hartley and Peter Holland, eds. Shakespeare and Geek Culture (by Larisa Kocic-Zámbó) 128-132
Victoria M. Muñoz, Spanish Romance in the Battle for Global Supremacy: Tudor and Stuart Black Legends (by Leticia Álvarez Recio) 133-137
Richard Proudfoot, Ann Thompson, David Scott Kastan and H. R. Woudhuysen, eds. The Arden Shakespeare Third Series Complete Works (by Jesús Tronch) 138-143
David Ruiter, ed. The Arden Research Handbook of Shakespeare and Social Justice (by Remedios Perni) 144-148
Kiernan Ryan, Shakespearean Tragedy (by Jonathan P. A. Sell) 149-153
Alexander Samson, Mary and Philip: The Marriage of Tudor England and Habsburg Spain (by Berta Cano Echevarría) 154-158
Jordi Sánchez-Martí, ed. Los libros de caballerías en Inglaterra, 1578-1700 (by Stefano Neri) 159-163
Jonathan P. A. Sell, Shakespeare’s Sublime Ethos: Matter, Stage, Form & Jonathan P. A. Sell, Shakespeare’s Sublime Pathos: Person, Audience, Language (by Zenón Luis-Martínez) 164-168

Sederi 31

Sederi 31
Sederi 31 — 2021
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITORS
Marta Cerezo Moreno
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES Pag.        
Luciano García García. From Lives to Discurso in the biographies of Thomas More:  Roper, Harpsfield and Herrera 7-30
Antony Henk. Mending “the injurie of oblivion”: “Englishing” Chaucer and Barbour in early printed editions 31-54
Lisa Hopkins. “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart 55-72
Francesca Rayner. The story of what might have been: Interrogating Romeo and Juliet under the Portuguese dictatorship 73-92
José Ruiz Mas. English travelers in early modern Cyprus: Piety, commerce and anti-Ottoman sentiment 93-115
Alison Shell. Priestly playwright, secular priest: William Drury’s Latin and English drama 117-45

NOTES Pag.        
Valerie Schutte. A ballad of treason for Queen Mary I’s accession 145-58

REVIEWS Pag.        
Kate Aughterson and Ailsa Grant Ferguson, Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama (by Jennifer Ruiz Morgan) 161-65
Sophie Chiari & Sophie Lemercier-Goddard, eds. John Webster’s “Dismal Tragedy”: The Duchess of Malfi Reconsidered (by Mª Jesús Pérez Jáuregui) 166-70
Jennifer Drouin, ed. Shakespeare / Sex: Contemporary Readings in Gender and Sexuality (by Francesca Rayner) 171-73
White Kennet, Etymological Collections of English Words, edited by Javier Ruano-García (by Christopher Langmuir) 174-77
Irene Montori, Milton, the Sublime and Dramas of Choice: Figures of Heroic and Literary Virtue (by Jonathan Sell) 178-82
Ángel-Luis Pujante and Keith Gregor, eds. Otelo en España. La versión neoclásica y las obras relacionadas (by Jesús López-Peláez Casellas) 183-87
Rocío G. Sumillera. Invention: The Language of English Renaissance Poetics (by Jonathan Sell) 188-91
Rémi Vuillemin, Laetitia Sansonetti and Enrica Zanin, eds. The early modern English sonnet. Ever in motion (by María Vera Reyes) 192-96

Sederi 30

Sederi 30
Sederi 30 — 2020
EDITOR
Ana Sáez-Hidalgo
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Luis Javier Conejero-Magro. The School of Salamanca in the sixteenth century and the way kingship is canvassed in Shakespeare’s Richard II 7-28
Isabel de la Cruz Cabanillas. The Secrets of Alexis in Glasgow University Library MS Ferguson 7 29-46
Joan Curbet Soler. Writing and weaving: The textual and the textile in Spenser´s 1590 Faerie Queene, III.i 47-68
Irene Montori. Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton 69-89
Katherine Romack. The romance of Nahum Tate’s King Lear 91-115
Sonia Villegas López. Truth and wonder in Richard Head’s geographical fictions 117-37

REVIEWS Pag.        
Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes) 141-44
Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell) 145-50
Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido) 151-55
María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López) 157-62
Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín) 163-67
Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez) 169-76
Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch) 177-81

PERFORMANCE REVIEWS Pag.        
West Side Story (2018–2020) (by Víctor Huertas Martín) 183-88

Sederi 29

Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Bellmunt-Serrano, Manuel. Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation 11-33
Bermudez Brataas, Delilah. The blurring of genus, genre, and gender in MArgaret Cavendish’s utopias 35-59
Chiari, Sophie. The limner’s art in Shakespeare’s Macbeth 61-83
Hulse, Clark. Ovid’s urban metamorphosis 85-108
Mazzola, Elizabeth. Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare’s stage 109-33
Sánchez García, Inmaculada N. Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad 135-60

NOTES Pag.        
Edwards, A.S.G. William Forrest: Poetry, politics, script and power 163-78

REVIEWS Pag.        
Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell) 183-88
Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner) 189-93
Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell) 194-98
Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez) 199-204
Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas) 205-210
José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello) 211-15
Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch) 216-20
Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago) 221-26
Sónia Baptista, I Call Her Will (by Francesca Rayne) 227-29

Sederi 28

Sederi 28
Sederi 28 — 2018
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Carroll, William C. I knew him in Padua: London theatre and early modern constructions of erudition 7-32
Monterrey, Tomás. El príncipe tirano by Juan de la Cueva as the Spanish source of Thomas Lodge’s A Margarite of America: A comparative suggestion 33-53
Rubik, Margarete. The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford 55-78
Yılmaz, Zümre Gizem., “The sweet fruition of an earthly crown”: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus 79-96

NOTES Pag.        
Schintu, Paula. “The gully-hole of literature”: On the enregisterment of cant language in seventeenth-century England 99-117
Trofimova, Violetta. First encounters of Europeans and Africans with Native Americans in Aphra Behn’s Oroonoko: White woman, black prince and noble savages 119-128

REVIEWS Pag.        
William Shakespeare. The Comedy of Errors, ed. Kent Cartwright; and William Shakespeare. Cymbeline, ed. Valerie Wayne (The Arden Shakespeare) (by Jesús Tronch Pérez) 131-140
Alison Findlay and Vassiliki Markidou, eds. 2017. Shakespeare and Greece. London: Bloomsbury Arden Shakespeare (by Zenón Luis-Martínez) 141-146
Kirk Melnikoff, ed. 2017. Edward II: A Critical Reader. London and New York: Bloomsbury (by Veronika Schandl) 147-150
Marianne Novy. 2017. Shakespeare and Feminist Theory. Bloomsbury: London (by Francesca Rayner) 151-153
Stephen O’Neill, ed. 2018. Broadcast Your Shakespeare (Continuity and Change across Media). London and New York: Bloomsbury (by Víctor Huertas Martín) 155-159
Anthony Guy Patricia.2017. Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. London and New York: Bloomsbury & Goran Stanivukovic, ed. 2017. Queer Shakespeare: Desire and Sexuality. London and New York: Bloomsbury (by Juan Carlos Hidalgo Ciudad) 161-166

Sederi 27

Sederi 27
Sederi 27 — 2017
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this  volume in PDF

ARTICLES Pag.        
Amelang, David. From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet 7-26
Guerrero, Isabel. Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral 27-46
Hornero Corisco, Ana María. Translation of temporal dialects in the dubbed versions of Shakespeare films 47-79
Huertas Martínez, Víctor. Rupert Goold’s Macbeth (2010): Surveillance society and society of control 81-103
Muñoz-Valdivieso, Sofía. Shakespeare our contemporary in 2016: Margaret Atwood’s rewriting of The Tempest in Hag-Seed 105-129
Nicolaescu, Madalina. Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice 129-148
Schutte, Valerie. Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor 149-166
Torralbo Caballero, Juan de Dios. “For know, alas, I’m dumb, alas I love”: Rhetoric of disability, female agency and tragedy in “The Dumb Virgin” 167-192

NOTES Pag.        
Bravo Lozano, Cristina. Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644) 195-211
Martínez-García, Laura. Nelly or Ellen? Revamping the first English actresses in contemporary popular culture 213-228

REVIEWS Pag.        
Dominic Cooke, dir. The Hollow Crown: The Wars of the Roses (by Víctor Huertas Martín) 231-237
Sonia Hernández-Santano, ed. William Webbe, A Discourse of English Poetry (by Rocío G. Sumillera) 239-241
Robert D. Hume and Judith Milhous. The Publication of Plays in London 1660-1800: Playwrights, Publishers and the Market (by Jorge Jiménez Rodríguez) 243-247
John Knox. El primer toque de la trompeta contra el monstruoso gobierno de las mujeres. Edited by José Luis Martínez-Dueñas and Rocío G. Sumillera (by Carme Font Paz) 249-253
Zenón Luis-Martínez, ed. Abraham Fraunce. The Shepherds’ Logic and Other Dialectical Writings (by Jonathan P.A. Sell) 255-261
Richard McCabe. “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era (by Nora Rodríguez-Loro) 263-268
Thomas O’Connor. Irish Voices from the Spanish Inquisition: Migrants, Converts and Brokers in Early Modern Iberia (by Óscar Recio Morales) 269-272

PERFORMANCE REVIEWS Pag.        
The Globe to Globe Hamlet Tour: A Celebratory Performance in Elsinore (by Remedios Perni) 273-277

About

ISSN 1135-7789 SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy. The SEDERI Yearbook is included in the following indexes and repertories: Annual Bibliography of English Language and Literature […]

Sederi 26

Sederi 26
Sederi 26 — 2016
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this  volume in PDF

ARTICLES Pag.        
Drakakis, John. Money makes the world go round: Shakespeare, commerce and community 7-30
McJannet, Linda. Timür’s theatrical journey: Or, when did Tamburlaine become black? 31-66
Ortiz-Salamovich, Alejandra. Anthony Munday’s Palmerin d’Oliva: Representing sexual threat in the Near East 67-84
Pascual Garrido, Mª Luisa. Re-Humanising Coriolanus: Community and the ethical self 85-108
García-Periago, Rosa M. More than an Indian teen shrew: Postcolonial and transnational feminism in Isi Life Mein 105-128
Tronch, Jesús. Database-oriented annotation of early modern plays: A proposal 129-156

NOTES Pag.        
Oliveira, Susana. «The intolerable business»: Religion and diplomacy under Elizabeth’s rule 159-164
Schintu Martínez, Paula. «The mobile shall worship thee»: Cant language in Thomas Shadwell’s The Squire of Alsatia (1688) 175-193

REVIEWS Pag.        
Manuel J. Gómez-Lara, María José Mora, Paula de Pando, Rafael Portillo, Juan A. Prieto-PAblos and Rafael Vélez Núñez, eds. Restoration Comedy 1660-1670. A Catalogue (by Ángeles Tomé Rosales) 197-199
Justin Kurzel dir. Macbeth (by Victor Huertas) 201-207
James Mabbe. The Spanish Bawd. Edited by José María Pérez Fernández (by Jordi Sánchez-Martí) 209-216
Bartolomé Sanz Albiñana. La expresión de la sexualidad en las traducciones españolas de «Hamlet» (by María José Álvarez Faedo) 219-222
Oana-Alis Zaharia. Cultural Reworkings and Translations in/of Shakespeare’s Plays (by Mādālina Nicolaescu) 223-225

PERFORMANCE REVIEWS Pag.        
Las Alegres Casadas, Almagro, 2015 (by Isabel Guerrero) 227-231
Recreating Shakespeare: You are my destiny (Lostupro di Lucrezia), Zagreb, 2014 (by Remedios Perni) 232-238

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Submissions will be sent to two referees for assessment, following a blind peer-review policy. In case of disagreement, a third report will be decisive. If the paper is accepted for publication, the authors may be asked to consider the suggestions made by the referees and to bring it into line with our style sheet. The contributions, in its final form, will then go through copyediting, layout, and proofreading. Once published, the authors will receive a copy of the issue in which their work is included.

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If you have any further queries, do not hesitate to contact the editors
SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies
Marta Cerezo, EDITOR
Isabel Guerrero, MANAGING EDITOR
Miguel Ramalhete, REVIEW EDITOR
Tamara Pérez-Fernández, David J. Amelang, PRODUCTION EDITORS

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