Sederi 33


Sederi 33
Sederi 33 — 2023
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
PRODUCTION EDITORS
David J. Amelang
Tamara Pérez-Fernández
ISSN 1135-7789

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ARTICLES Pag.        
Susana P. Magalhães Oliveira. Emotions and early modern diplomacy: The case of Iberian ambassadors at the Elizabethan court9-31
Alejandro Sell Maestro. William Godolphin and Francisco de la Torre’s Agudezas de Juan Oven (1674): Patronage, diplomacy, and confessionalism33-56
Marguerite Tassi. Pursuing contentment and liberation in the Forest of Arden: Hindu and Buddhist resonances in As You Like It57-80
Inmaculada Ureña Asensio. Recommended reading for good governors: Utopia de Thomas Moro (1637)81-104


REVIEWS Pag.        
Leticia Álvarez-Recio, ed. Iberian Chivalric Romance: Translations and Cultural Transmission in Early Modern England (by Ana Sáez-Hidalgo) 107-111
Casandra Gorman, The Atom in Seventeenth-Century Poetry (by María Vera-Reyes) 112-116
Francesca Clare Rayner, Shakespeare and the Challenge of the Contemporary: Performance, Politics and Aesthetics (by Veronika Schandl) 117-120
Ana Sáez-Hidalgo and Berta Cano-Echevarría, eds. Exile, Diplomacy and Texts: Exchanges between Iberia and the British Isles, 1500–1767 (by Carme Font-Paz) 121-125


PERFORMANCE REVIEWS Pag.        
Shakespeare’s Julius Caesar at the International Classical Theater Festival of Mérida, directed by José María Muscari (by Víctor Huertas-Martín) 126-130

Sederi 32

Sederi 32
Sederi 32 — 2022
EDITOR
Marta Cerezo Moreno
MANAGING EDITOR
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES Pag.        
María José Coperías-Aguilar. Between fictionality and reality: The “novels” in the Gentleman’s Journal 7-30
Antonio Espigares Pinilla and Renae Satterley. The three manuscript copies of Robert Ashley’s Of Honour and Sebastián Fox Morcillo’s De honore. Study of a translation plagiarism 31-65
Víctor Fernández Fernández. Guzmán de Silva and Elizabeth I: A diplomacy of emotion 67-86
Cristina Paravano. “Remembrance of things past”: Classical and Renaissance echoes in Philip Massinger’s The Roman Actor 87-110

REVIEWS Pag.        
Jorge Blanco-Vacas, ed. Mr. Turbulent. A Critical Edition (by Jorge Figueroa Dorrego) 113-117
Evelyn Gajowski, ed. The Arden Research Handbook of Contemporary Shakespeare Criticism (by Víctor Huertas Martín) 118-122
Gábor Gelléri and Rachel Willie, eds. Travel and Conflict in the Early Modern World (by Liam Benison) 123-127
Andrew James Hartley and Peter Holland, eds. Shakespeare and Geek Culture (by Larisa Kocic-Zámbó) 128-132
Victoria M. Muñoz, Spanish Romance in the Battle for Global Supremacy: Tudor and Stuart Black Legends (by Leticia Álvarez Recio) 133-137
Richard Proudfoot, Ann Thompson, David Scott Kastan and H. R. Woudhuysen, eds. The Arden Shakespeare Third Series Complete Works (by Jesús Tronch) 138-143
David Ruiter, ed. The Arden Research Handbook of Shakespeare and Social Justice (by Remedios Perni) 144-148
Kiernan Ryan, Shakespearean Tragedy (by Jonathan P. A. Sell) 149-153
Alexander Samson, Mary and Philip: The Marriage of Tudor England and Habsburg Spain (by Berta Cano Echevarría) 154-158
Jordi Sánchez-Martí, ed. Los libros de caballerías en Inglaterra, 1578-1700 (by Stefano Neri) 159-163
Jonathan P. A. Sell, Shakespeare’s Sublime Ethos: Matter, Stage, Form & Jonathan P. A. Sell, Shakespeare’s Sublime Pathos: Person, Audience, Language (by Zenón Luis-Martínez) 164-168

Sederi 31

Sederi 31
Sederi 31 — 2021
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITORS
Marta Cerezo Moreno
Isabel Guerrero Llorente
REVIEW EDITOR
Miguel Ramalhete
ISSN 1135-7789

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ARTICLES Pag.        
Luciano García García. From Lives to Discurso in the biographies of Thomas More:  Roper, Harpsfield and Herrera 7-30
Antony Henk. Mending “the injurie of oblivion”: “Englishing” Chaucer and Barbour in early printed editions 31-54
Lisa Hopkins. “By Jupiter, forgot”: Volscians and Scots in Shakespeare and Arbella Stuart 55-72
Francesca Rayner. The story of what might have been: Interrogating Romeo and Juliet under the Portuguese dictatorship 73-92
José Ruiz Mas. English travelers in early modern Cyprus: Piety, commerce and anti-Ottoman sentiment 93-115
Alison Shell. Priestly playwright, secular priest: William Drury’s Latin and English drama 117-45

NOTES Pag.        
Valerie Schutte. A ballad of treason for Queen Mary I’s accession 145-58

REVIEWS Pag.        
Kate Aughterson and Ailsa Grant Ferguson, Shakespeare and Gender: Sex and Sexuality in Shakespeare’s Drama (by Jennifer Ruiz Morgan) 161-65
Sophie Chiari & Sophie Lemercier-Goddard, eds. John Webster’s “Dismal Tragedy”: The Duchess of Malfi Reconsidered (by Mª Jesús Pérez Jáuregui) 166-70
Jennifer Drouin, ed. Shakespeare / Sex: Contemporary Readings in Gender and Sexuality (by Francesca Rayner) 171-73
White Kennet, Etymological Collections of English Words, edited by Javier Ruano-García (by Christopher Langmuir) 174-77
Irene Montori, Milton, the Sublime and Dramas of Choice: Figures of Heroic and Literary Virtue (by Jonathan Sell) 178-82
Ángel-Luis Pujante and Keith Gregor, eds. Otelo en España. La versión neoclásica y las obras relacionadas (by Jesús López-Peláez Casellas) 183-87
Rocío G. Sumillera. Invention: The Language of English Renaissance Poetics (by Jonathan Sell) 188-91
Rémi Vuillemin, Laetitia Sansonetti and Enrica Zanin, eds. The early modern English sonnet. Ever in motion (by María Vera Reyes) 192-96

Sederi 30

Sederi 30
Sederi 30 — 2020
EDITOR
Ana Sáez-Hidalgo
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Luis Javier Conejero-Magro. The School of Salamanca in the sixteenth century and the way kingship is canvassed in Shakespeare’s Richard II 7-28
Isabel de la Cruz Cabanillas. The Secrets of Alexis in Glasgow University Library MS Ferguson 7 29-46
Joan Curbet Soler. Writing and weaving: The textual and the textile in Spenser´s 1590 Faerie Queene, III.i 47-68
Irene Montori. Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton 69-89
Katherine Romack. The romance of Nahum Tate’s King Lear 91-115
Sonia Villegas López. Truth and wonder in Richard Head’s geographical fictions 117-37

REVIEWS Pag.        
Magdalena Cieślak, Screening Gender in Shakespeare’s Comedies: Film and Television Adaptations in Shakespeare’s Comedies (by Coen Heijes) 141-44
Neil Corcoran, Reading Shakespeare’s Soliloquies: Text, Theatre, Film, and Efertpi Mitsi, ed., Troilus and Cressida. A Critical Reader (by Jonathan P. A. Sell) 145-50
Mark Hutchings, ed., The Changeling. A Critical Reader (by Cinta Zunino-Garrido) 151-55
María José Mora, ed., Restoration Comedy, 1671–1682 (by Sonia Villegas López) 157-62
Charles Ney, Directing Shakespeare in America. Historical Perspectives (by Víctor Huertas Martín) 163-67
Patricia Parker, Shakespearean Intersections: Language, Contexts, Critical Keyword (by Zenón Luis-Martínez) 169-76
Ángel-Luis Pujante, Shakespeare llega a España: Ilustración y Romanticismo (by Jesús Tronch) 177-81

PERFORMANCE REVIEWS Pag.        
West Side Story (2018–2020) (by Víctor Huertas Martín) 183-88

Sederi 29

Sederi 29
Sederi 29 — 2019
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Bellmunt-Serrano, Manuel. Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation 11-33
Bermudez Brataas, Delilah. The blurring of genus, genre, and gender in MArgaret Cavendish’s utopias 35-59
Chiari, Sophie. The limner’s art in Shakespeare’s Macbeth 61-83
Hulse, Clark. Ovid’s urban metamorphosis 85-108
Mazzola, Elizabeth. Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare’s stage 109-33
Sánchez García, Inmaculada N. Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad 135-60

NOTES Pag.        
Edwards, A.S.G. William Forrest: Poetry, politics, script and power 163-78

REVIEWS Pag.        
Patrick Cheney, English Authorship and the Early Modern Sublime (by Jonathan P. A. Sell) 183-88
Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity (by Francesca Rayner) 189-93
Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (by Jonathan P. A. Sell) 194-98
Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain (by Beatriz Hernández Pérez) 199-204
Sebastián Fox Morcillo, De honore. Estudio y traducción (by Jesús López-Peláez Casellas) 205-210
José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación. Context, Influence, Relation (by Mercedes Salvador-Bello) 211-15
Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas (by Jesús Tronch) 216-20
Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations (by Rosa García-Periago) 221-26
Sónia Baptista, I Call Her Will (by Francesca Rayne) 227-29

Sederi 28

Sederi 28
Sederi 28 — 2018
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Carroll, William C. I knew him in Padua: London theatre and early modern constructions of erudition 7-32
Monterrey, Tomás. El príncipe tirano by Juan de la Cueva as the Spanish source of Thomas Lodge’s A Margarite of America: A comparative suggestion 33-53
Rubik, Margarete. The house, the city, and the colony in the works of Aphra Behn: Gendered spaces and the freedoms and dangers they afford 55-78
Yılmaz, Zümre Gizem., “The sweet fruition of an earthly crown”: Elemental mastery and ecophobia in Tamburlaine the Great and Doctor Faustus 79-96

NOTES Pag.        
Schintu, Paula. “The gully-hole of literature”: On the enregisterment of cant language in seventeenth-century England 99-117
Trofimova, Violetta. First encounters of Europeans and Africans with Native Americans in Aphra Behn’s Oroonoko: White woman, black prince and noble savages 119-128

REVIEWS Pag.        
William Shakespeare. The Comedy of Errors, ed. Kent Cartwright; and William Shakespeare. Cymbeline, ed. Valerie Wayne (The Arden Shakespeare) (by Jesús Tronch Pérez) 131-140
Alison Findlay and Vassiliki Markidou, eds. 2017. Shakespeare and Greece. London: Bloomsbury Arden Shakespeare (by Zenón Luis-Martínez) 141-146
Kirk Melnikoff, ed. 2017. Edward II: A Critical Reader. London and New York: Bloomsbury (by Veronika Schandl) 147-150
Marianne Novy. 2017. Shakespeare and Feminist Theory. Bloomsbury: London (by Francesca Rayner) 151-153
Stephen O’Neill, ed. 2018. Broadcast Your Shakespeare (Continuity and Change across Media). London and New York: Bloomsbury (by Víctor Huertas Martín) 155-159
Anthony Guy Patricia.2017. Queering the Shakespeare Film: Gender Trouble, Gay Spectatorship and Male Homoeroticism. London and New York: Bloomsbury & Goran Stanivukovic, ed. 2017. Queer Shakespeare: Desire and Sexuality. London and New York: Bloomsbury (by Juan Carlos Hidalgo Ciudad) 161-166

Sederi 27

Sederi 27
Sederi 27 — 2017
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

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ARTICLES Pag.        
Amelang, David. From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet 7-26
Guerrero, Isabel. Shakespeare in La Mancha: Performing Shakespeare at the Almagro Corral 27-46
Hornero Corisco, Ana María. Translation of temporal dialects in the dubbed versions of Shakespeare films 47-79
Huertas Martínez, Víctor. Rupert Goold’s Macbeth (2010): Surveillance society and society of control 81-103
Muñoz-Valdivieso, Sofía. Shakespeare our contemporary in 2016: Margaret Atwood’s rewriting of The Tempest in Hag-Seed 105-129
Nicolaescu, Madalina. Introducing Shakespeare to the fringes of Europe: The first Romanian performance of The Merchant of Venice 129-148
Schutte, Valerie. Perceptions of sister queens: A comparison of printed book dedications to Mary and Elizabeth Tudor 149-166
Torralbo Caballero, Juan de Dios. “For know, alas, I’m dumb, alas I love”: Rhetoric of disability, female agency and tragedy in “The Dumb Virgin” 167-192

NOTES Pag.        
Bravo Lozano, Cristina. Book culture in the Irish Mission: The case of father Juan de Santo Domingo (1636–1644) 195-211
Martínez-García, Laura. Nelly or Ellen? Revamping the first English actresses in contemporary popular culture 213-228

REVIEWS Pag.        
Dominic Cooke, dir. The Hollow Crown: The Wars of the Roses (by Víctor Huertas Martín) 231-237
Sonia Hernández-Santano, ed. William Webbe, A Discourse of English Poetry (by Rocío G. Sumillera) 239-241
Robert D. Hume and Judith Milhous. The Publication of Plays in London 1660-1800: Playwrights, Publishers and the Market (by Jorge Jiménez Rodríguez) 243-247
John Knox. El primer toque de la trompeta contra el monstruoso gobierno de las mujeres. Edited by José Luis Martínez-Dueñas and Rocío G. Sumillera (by Carme Font Paz) 249-253
Zenón Luis-Martínez, ed. Abraham Fraunce. The Shepherds’ Logic and Other Dialectical Writings (by Jonathan P.A. Sell) 255-261
Richard McCabe. “Ungainefull Arte”: Poetry, Patronage, and Print in the Early Modern Era (by Nora Rodríguez-Loro) 263-268
Thomas O’Connor. Irish Voices from the Spanish Inquisition: Migrants, Converts and Brokers in Early Modern Iberia (by Óscar Recio Morales) 269-272

PERFORMANCE REVIEWS Pag.        
The Globe to Globe Hamlet Tour: A Celebratory Performance in Elsinore (by Remedios Perni) 273-277

About

ISSN 1135-7789 SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy. The SEDERI Yearbook is included in the following indexes and repertories: Annual Bibliography of English Language and Literature […]

Sederi 26

Sederi 26
Sederi 26 — 2016
EDITOR
Ana Sáez-Hidalgo
MANAGING EDITOR
Francisco J. Borge López
REVIEW EDITOR
María José Mora
ISSN 1135-7789

Download this  volume in PDF

ARTICLES Pag.        
Drakakis, John. Money makes the world go round: Shakespeare, commerce and community 7-30
McJannet, Linda. Timür’s theatrical journey: Or, when did Tamburlaine become black? 31-66
Ortiz-Salamovich, Alejandra. Anthony Munday’s Palmerin d’Oliva: Representing sexual threat in the Near East 67-84
Pascual Garrido, Mª Luisa. Re-Humanising Coriolanus: Community and the ethical self 85-108
García-Periago, Rosa M. More than an Indian teen shrew: Postcolonial and transnational feminism in Isi Life Mein 105-128
Tronch, Jesús. Database-oriented annotation of early modern plays: A proposal 129-156

NOTES Pag.        
Oliveira, Susana. «The intolerable business»: Religion and diplomacy under Elizabeth’s rule 159-164
Schintu Martínez, Paula. «The mobile shall worship thee»: Cant language in Thomas Shadwell’s The Squire of Alsatia (1688) 175-193

REVIEWS Pag.        
Manuel J. Gómez-Lara, María José Mora, Paula de Pando, Rafael Portillo, Juan A. Prieto-PAblos and Rafael Vélez Núñez, eds. Restoration Comedy 1660-1670. A Catalogue (by Ángeles Tomé Rosales) 197-199
Justin Kurzel dir. Macbeth (by Victor Huertas) 201-207
James Mabbe. The Spanish Bawd. Edited by José María Pérez Fernández (by Jordi Sánchez-Martí) 209-216
Bartolomé Sanz Albiñana. La expresión de la sexualidad en las traducciones españolas de «Hamlet» (by María José Álvarez Faedo) 219-222
Oana-Alis Zaharia. Cultural Reworkings and Translations in/of Shakespeare’s Plays (by Mādālina Nicolaescu) 223-225

PERFORMANCE REVIEWS Pag.        
Las Alegres Casadas, Almagro, 2015 (by Isabel Guerrero) 227-231
Recreating Shakespeare: You are my destiny (Lostupro di Lucrezia), Zagreb, 2014 (by Remedios Perni) 232-238